Persiante电影院中的爱情构成

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
P. Partovi
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引用次数: 1

摘要

长期以来,评论家们一直认为印度、伊朗和土耳其的热门影院只不过是好莱坞的廉价仿制品。虽然学者们已经认识到这些电影产业之间的地理和经济联系,但很少有人注意到它们对主题和图像的参与,尤其是与早期的波斯人宫廷娱乐有关的主题和图像。Persiante电影院挑战了好莱坞特色中的现代主义爱情、婚姻和家庭生活观念,转而采用了古老的贵族家庭观念,以将其应用于当代社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Constituting Love in Persianate Cinemas
Critics have long regarded the popular cinemas of India, Iran, and Turkey as nothing more than cheap Hollywood knock-offs. While scholars have recognized the geographic and economic ties between these film industries, few have noted their engagement with themes and images particularly associated with earlier Persianate courtly entertainments. Persianate cinemas have challenged modernist ideas of love, marriage, and family life exemplified in Hollywood features and instead taken up older aristocratic conceptions of the family in order to apply them to contemporary society.
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来源期刊
Journal of Persianate Studies
Journal of Persianate Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
16
期刊介绍: Publication of the Association for the Study of Persianate Societies. The journal publishes articles on the culture and civilization of the geographical area where Persian has historically been the dominant language or a major cultural force, encompassing Iran, Afghanistan and Tajikistan, as well as the Caucasus, Central Asia, the Indian Subcontinent, and parts of the former Ottoman Empire. Its focus on the linguistic, cultural and historical role and influence of Persian culture and Iranian civilization in this area is based on a recognition that knowledge flows from pre-existing facts but is also constructed and thus helps shape the present reality of the Persianate world.
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