Vimalkrishnan Rangarajan, Prasad S. Onkar, Alison De Kruiff and Deirdre Barron
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A descriptive phenomenological approach to perception of affective quality in design inspiration
The psychological term affective quality denotes the ability of objects to change how individuals feel when they encounter those objects. In design research, the affective qualities of inspirational materials and the perception of such affective qualities have been studied, mainly from a positivist standpoint. This involves experimental methodologies and tools like rating scales which imply objective measurements of perception of affective qualities to establish cause-effect relationships. However, affective quality is enmeshed in cultural and contextual frameworks. This implies that there can be subjective perceptions of affective quality that demand more descriptive research. This paper contextualises a descriptive phenomeological approach to study designers’ subjective perceptions of affective qualities of inspirational material. This approach fosters methodological diversity and theory-building research in design.
期刊介绍:
Design Studies is a leading international academic journal focused on developing understanding of design processes. It studies design activity across all domains of application, including engineering and product design, architectural and urban design, computer artefacts and systems design. It therefore provides an interdisciplinary forum for the analysis, development and discussion of fundamental aspects of design activity, from cognition and methodology to values and philosophy.
Design Studies publishes work that is concerned with the process of designing, and is relevant to a broad audience of researchers, teachers and practitioners. We welcome original, scientific and scholarly research papers reporting studies concerned with the process of designing in all its many fields, or furthering the development and application of new knowledge relating to design process. Papers should be written to be intelligible and pertinent to a wide range of readership across different design domains. To be relevant for this journal, a paper has to offer something that gives new insight into or knowledge about the design process, or assists new development of the processes of designing.