{"title":"威廉·布莱克和他在我们这个时代的(几个)朋友","authors":"Michael Horovitz","doi":"10.7227/bjrl.98.1.3","DOIUrl":null,"url":null,"abstract":"In this article, written in his signature style, Michael Horovitz reflects on his\n longstanding fascination with William Blake. He recalls how the spirit of Blake\n loomed large at the International Poetry Incarnation at the Albert Hall in the\n summer of 1965, where his fellow travellers, among them Adrian Mitchell, were\n driven by the nineteenth-century poet. Horovitz recounts the ways that Blake has\n continued to inform his artistic practices, which cut across from poetry to\n music and visual art.","PeriodicalId":80816,"journal":{"name":"Bulletin. John Rylands University Library of Manchester","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"William Blake and (a Few of) His Friends in Our Time\",\"authors\":\"Michael Horovitz\",\"doi\":\"10.7227/bjrl.98.1.3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, written in his signature style, Michael Horovitz reflects on his\\n longstanding fascination with William Blake. He recalls how the spirit of Blake\\n loomed large at the International Poetry Incarnation at the Albert Hall in the\\n summer of 1965, where his fellow travellers, among them Adrian Mitchell, were\\n driven by the nineteenth-century poet. Horovitz recounts the ways that Blake has\\n continued to inform his artistic practices, which cut across from poetry to\\n music and visual art.\",\"PeriodicalId\":80816,\"journal\":{\"name\":\"Bulletin. John Rylands University Library of Manchester\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin. John Rylands University Library of Manchester\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7227/bjrl.98.1.3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin. John Rylands University Library of Manchester","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7227/bjrl.98.1.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
William Blake and (a Few of) His Friends in Our Time
In this article, written in his signature style, Michael Horovitz reflects on his
longstanding fascination with William Blake. He recalls how the spirit of Blake
loomed large at the International Poetry Incarnation at the Albert Hall in the
summer of 1965, where his fellow travellers, among them Adrian Mitchell, were
driven by the nineteenth-century poet. Horovitz recounts the ways that Blake has
continued to inform his artistic practices, which cut across from poetry to
music and visual art.