孤行与孤歌:昆姆平行诗的诗学与语用学

IF 0.5 2区 社会学 0 FOLKLORE
F. Proschan
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引用次数: 0

摘要

摘要:克姆穆高地人的歌唱诗涉及一个复杂而独特的普遍规范平行系统。平行组第一个成员中的“反向词”与第二个成员中有意义的对应词呈交叉关系押韵。在这个系统中,一些歌手使用“孤儿台词”,只唱第一个成员,听众必须猜测有意义的台词是什么。罗曼·雅各布森鼓励从“远近”环境的角度来审视这些孤儿系列,这启发了我们探索克姆穆关于孤儿的歌曲中无父母儿童的形象,并为我们自己的民族志实践提供了借鉴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Orphan Lines and Orphan Songs: Poetics and Pragmatics of Kmhmu Parallel Verse
Abstract:The sung verse of Kmhmu highlanders involves a complex and unique system of pervasive canonical parallelism. "Reverse words" in the first member of a parallel set rhyme in a crosswise relation with their meaningful counterparts in the second member of the set. Within this system, some singers employ "orphan lines," where only the first member is sung, and listeners must guess what the meaningful line would be. Roman Jakobson's encouragement to examine such orphan lines in terms of their "near and distant" environment is taken as inspiration to explore the image of parentless children in Kmhmu songs about orphans and to suggest lessons for our own ethnographic practice.
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来源期刊
CiteScore
1.50
自引率
14.30%
发文量
32
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