女人、葡萄酒和真理

IF 0.2 4区文学 0 LITERARY THEORY & CRITICISM

DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2022-07-14 DOI:10.1353/dia.2021.0019

Valeria Campos Salvaterra

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引用次数: 0

摘要

摘要：通过葡萄酒中古老的拉丁语公式，我提出了女性、葡萄酒和真理之间的解构联系。尽管这个短语没有明确提及女性，但我探索了柏拉图、康德、克尔凯郭尔和尼采的文本，在这些文本中，女性与醉酒的主题有着隐含的联系。我的目标是构建一种“醉酒三段论”或我所称的单论，其运作方式如下：女人就像葡萄酒>真相是女人>葡萄酒中的女人。我指出，这种哲学的本体论产生了一系列破坏性影响，这使我能够支持一个更有力的论点，即将女性排除在哲学领域之外：对自身毁灭的恐惧。

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Women, Wine, and Truth

Abstract:Through the old Latin formula in vino veritas, I propose a deconstructive link between women, wine, and truth. Even though the phrase doesn’t involve an explicit reference to the feminine, I explore texts by Plato, Kant, Kierkegaard, and Nietzsche, in which women are implicitly associated with themes of inebriation. My aim is to construct a “drunken syllogism” or an onerologism, as I have named it, that operates as follows: women are like wine > truth is a woman > in vino veritas. I state that a series of destructive effects follows from this onerologism for philosophy, which allows me to sustain a stronger thesis about the exclusion of the feminine from the realm of philosophy: the fear of its own ruin.

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来源期刊

DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.