{"title":"对巴西女权主义音乐合作倡议的思考及其对抵抗和创造力政策的影响","authors":"Tânia Mello Neiva, Isabela Nogueira, Camila Durães Zerbinatti","doi":"10.35699/2317-6377.2019.5268","DOIUrl":null,"url":null,"abstract":"In this article we discuss two initiatives involving women, music and collaborative and creative work in Brazil as possibilities of breaking with and / or weakening hegemonic logics of knowledge production and ways of life / coexistence according to the political dimension of decolonial feminism. They are “Mostra XX” (XX Show) and Isabel Nogueira and Leandra Lambert duo. We propose a reflexive and critical look at our local context and possible creative and political outings of the traps that are imposed on us and that we also help to arm.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reflections on feminist collaborative initiatives in music in Brazil and their implications to the policies of resistance and creativity\",\"authors\":\"Tânia Mello Neiva, Isabela Nogueira, Camila Durães Zerbinatti\",\"doi\":\"10.35699/2317-6377.2019.5268\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article we discuss two initiatives involving women, music and collaborative and creative work in Brazil as possibilities of breaking with and / or weakening hegemonic logics of knowledge production and ways of life / coexistence according to the political dimension of decolonial feminism. They are “Mostra XX” (XX Show) and Isabel Nogueira and Leandra Lambert duo. We propose a reflexive and critical look at our local context and possible creative and political outings of the traps that are imposed on us and that we also help to arm.\",\"PeriodicalId\":52093,\"journal\":{\"name\":\"Per Musi\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Per Musi\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35699/2317-6377.2019.5268\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Per Musi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35699/2317-6377.2019.5268","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Reflections on feminist collaborative initiatives in music in Brazil and their implications to the policies of resistance and creativity
In this article we discuss two initiatives involving women, music and collaborative and creative work in Brazil as possibilities of breaking with and / or weakening hegemonic logics of knowledge production and ways of life / coexistence according to the political dimension of decolonial feminism. They are “Mostra XX” (XX Show) and Isabel Nogueira and Leandra Lambert duo. We propose a reflexive and critical look at our local context and possible creative and political outings of the traps that are imposed on us and that we also help to arm.