对身份的反思

IF 2.3 Q2 PSYCHOLOGY, CLINICAL

International Journal of Art Therapy: Inscape Pub Date : 2022-07-03 DOI:10.1080/17454832.2022.2102790

Trina Hobson

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引用次数: 0

摘要

我的画通过虚构和想象的背景、地点和人物之间的联系，向观众介绍了一个故事。熟悉的和个人熟知的事物经常与艺术史和文学中的人物融合在一起，邀请观众进入这些持续的环境。通过叙事，我的绘画实践嵌入了存在主义的问题:被抛弃的感觉与反思、脱节和碎片并列。解构和扁平化图像的过程使它们走向抽象和模糊，迫使观众用一些个人的东西来填补空间，以使其具有意义。

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A Reflection on Identity

My paintings introduce a story to the viewer, drawing on invented and imagined contexts, places and connections for characters. The familiar and personally known are frequently merged with a store of characters from art history and literature, inviting the viewer into these sustained environments. Through narratives my painting practice embeds existential issues: feelings of abandonment are juxtaposed with reflectiveness, disjointedness and fragmentation. The process of deconstructing and flattening the images moves them towards the abstracted and ambiguous, forcing the viewer to fill in the spaces with something personal in order to make meaning.

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来源期刊

International Journal of Art Therapy: Inscape Medicine-Rehabilitation

CiteScore

5.40

自引率

0.00%

发文量