{"title":"位于佛罗伦萨的亚利桑那州立监狱的两张照片","authors":"Ashley Hunt","doi":"10.1080/17547075.2023.2224152","DOIUrl":null,"url":null,"abstract":"Abstract This visual essay is drawn from Double Time, one of a series of three documentary projects on the theme of what might come after a prison is shuttered. Made partly in dialog with ongoing abolitionist organizing by Mass Liberation in South Phoenix, Double Time focuses on Arizona’s origins as a state, at the intersection of the Civil War and the echoes of the Haitian Revolution, as the War’s twin capacities of war-making and image-making pushed the US’ imperial expansion westward.","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Double Time Pictures of the Arizona State Prison at Florence\",\"authors\":\"Ashley Hunt\",\"doi\":\"10.1080/17547075.2023.2224152\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This visual essay is drawn from Double Time, one of a series of three documentary projects on the theme of what might come after a prison is shuttered. Made partly in dialog with ongoing abolitionist organizing by Mass Liberation in South Phoenix, Double Time focuses on Arizona’s origins as a state, at the intersection of the Civil War and the echoes of the Haitian Revolution, as the War’s twin capacities of war-making and image-making pushed the US’ imperial expansion westward.\",\"PeriodicalId\":44307,\"journal\":{\"name\":\"Design and Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Design and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17547075.2023.2224152\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17547075.2023.2224152","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Double Time Pictures of the Arizona State Prison at Florence
Abstract This visual essay is drawn from Double Time, one of a series of three documentary projects on the theme of what might come after a prison is shuttered. Made partly in dialog with ongoing abolitionist organizing by Mass Liberation in South Phoenix, Double Time focuses on Arizona’s origins as a state, at the intersection of the Civil War and the echoes of the Haitian Revolution, as the War’s twin capacities of war-making and image-making pushed the US’ imperial expansion westward.