{"title":"音乐流媒体的隐喻及其潜在的代码转换","authors":"Andreas Lenander Aegidius","doi":"10.1080/15405702.2020.1744609","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article presents an interrogation of streamification, a concept that addresses the influence of streaming software on cultural artifacts and uses. I argue that the streamification builds on an underlying tangle of transcodes. I base this on empirical findings from a qualitative study of digital online music uses and the technologies that operate beyond the interface of streaming media. I map the typical online path of music files and exemplify the tangle of transcodes with three empirical cases and detail their meaning-making processes: 1) The most informal and tangled, when a listener is stream-ripping from YouTube. 2) The re-appropriation of informal YouTube material by a musician. 3) The more formal transcoding performed by a distributor. By drawing on metaphor theory and software studies, I discuss cultural transcoding and metaphor as central to streamification and discuss how a focus on ease-of-use inevitably hides the tangle of transcodes.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2020-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2020.1744609","citationCount":"1","resultStr":"{\"title\":\"The music streaming metaphor and its underlying tangle of transcodes\",\"authors\":\"Andreas Lenander Aegidius\",\"doi\":\"10.1080/15405702.2020.1744609\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article presents an interrogation of streamification, a concept that addresses the influence of streaming software on cultural artifacts and uses. I argue that the streamification builds on an underlying tangle of transcodes. I base this on empirical findings from a qualitative study of digital online music uses and the technologies that operate beyond the interface of streaming media. I map the typical online path of music files and exemplify the tangle of transcodes with three empirical cases and detail their meaning-making processes: 1) The most informal and tangled, when a listener is stream-ripping from YouTube. 2) The re-appropriation of informal YouTube material by a musician. 3) The more formal transcoding performed by a distributor. By drawing on metaphor theory and software studies, I discuss cultural transcoding and metaphor as central to streamification and discuss how a focus on ease-of-use inevitably hides the tangle of transcodes.\",\"PeriodicalId\":45584,\"journal\":{\"name\":\"Popular Communication\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2020-04-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/15405702.2020.1744609\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Popular Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15405702.2020.1744609\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Popular Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15405702.2020.1744609","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
The music streaming metaphor and its underlying tangle of transcodes
ABSTRACT This article presents an interrogation of streamification, a concept that addresses the influence of streaming software on cultural artifacts and uses. I argue that the streamification builds on an underlying tangle of transcodes. I base this on empirical findings from a qualitative study of digital online music uses and the technologies that operate beyond the interface of streaming media. I map the typical online path of music files and exemplify the tangle of transcodes with three empirical cases and detail their meaning-making processes: 1) The most informal and tangled, when a listener is stream-ripping from YouTube. 2) The re-appropriation of informal YouTube material by a musician. 3) The more formal transcoding performed by a distributor. By drawing on metaphor theory and software studies, I discuss cultural transcoding and metaphor as central to streamification and discuss how a focus on ease-of-use inevitably hides the tangle of transcodes.