{"title":"亨利罗斯","authors":"","doi":"10.1093/obo/9780199827251-0227","DOIUrl":null,"url":null,"abstract":"Henry Roth (b. 1906–d. 1995) was an American novelist and short-story writer whose autobiographically based fiction helped define immigrant fiction and American Jewish literature. Born in Tysmenitz, Galicia, then part of the Austro-Hungarian Empire, he resettled in the United States with his family in 1908. They at first lived in Brooklyn before moving to the Lower East Side of Manhattan. In 1914 they moved uptown to Harlem, where Roth attended City College of New York. While still an undergraduate, he was befriended by and moved in with Eda Lou Walton, a poet and an instructor at New York University. With her support, he wrote Call It Sleep, a powerful account of life on the Lower East Side as experienced by a little immigrant Jewish boy. The novel was published in 1934, to critical acclaim but few sales. By the early 1940s, disillusioned with the New York literary scene, he moved with his new wife, the musician Muriel Parker, whom he had met at the artists’ colony Yaddo, to Maine, where he made a subsistence living raising and slaughtering waterfowl. Call It Sleep had meanwhile fallen out of print and public awareness until a paperback edition was published in 1964 and hailed as a neglected masterpiece. Suddenly a bestselling author, Roth, who had written only a few short stories and essays—later collected in Shifting Landscape: A Composite (1987)—during the interim, slowly returned to writing. However, it was only after moving to New Mexico and the death of his beloved wife that Roth felt free to pour forth in fiction drawn closely from his own life. During his final decade, often in pain and longing for death, the octogenarian tapped out thousands of manuscript pages from which his assistant, Felicia Steele, and his editor, Robert Weil, carved out a tetralogy filled with painful personal revelations. In 1994, sixty years after his first novel, Call It Sleep, Roth was back in print with his second, the first volume of a series that took the title Mercy of a Rude Stream. The tetralogy consisted of A Star Shines over Mt. Morris Park (1994), A Diving Rock on the Hudson (1995), From Bondage (1996), and Requiem for Harlem (1998). The last two of the four volumes were published posthumously, as was an additional novel—excavated from the final manuscripts—titled An American Type (2010).","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Henry Roth\",\"authors\":\"\",\"doi\":\"10.1093/obo/9780199827251-0227\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Henry Roth (b. 1906–d. 1995) was an American novelist and short-story writer whose autobiographically based fiction helped define immigrant fiction and American Jewish literature. Born in Tysmenitz, Galicia, then part of the Austro-Hungarian Empire, he resettled in the United States with his family in 1908. They at first lived in Brooklyn before moving to the Lower East Side of Manhattan. In 1914 they moved uptown to Harlem, where Roth attended City College of New York. While still an undergraduate, he was befriended by and moved in with Eda Lou Walton, a poet and an instructor at New York University. With her support, he wrote Call It Sleep, a powerful account of life on the Lower East Side as experienced by a little immigrant Jewish boy. The novel was published in 1934, to critical acclaim but few sales. By the early 1940s, disillusioned with the New York literary scene, he moved with his new wife, the musician Muriel Parker, whom he had met at the artists’ colony Yaddo, to Maine, where he made a subsistence living raising and slaughtering waterfowl. Call It Sleep had meanwhile fallen out of print and public awareness until a paperback edition was published in 1964 and hailed as a neglected masterpiece. Suddenly a bestselling author, Roth, who had written only a few short stories and essays—later collected in Shifting Landscape: A Composite (1987)—during the interim, slowly returned to writing. However, it was only after moving to New Mexico and the death of his beloved wife that Roth felt free to pour forth in fiction drawn closely from his own life. During his final decade, often in pain and longing for death, the octogenarian tapped out thousands of manuscript pages from which his assistant, Felicia Steele, and his editor, Robert Weil, carved out a tetralogy filled with painful personal revelations. In 1994, sixty years after his first novel, Call It Sleep, Roth was back in print with his second, the first volume of a series that took the title Mercy of a Rude Stream. The tetralogy consisted of A Star Shines over Mt. Morris Park (1994), A Diving Rock on the Hudson (1995), From Bondage (1996), and Requiem for Harlem (1998). The last two of the four volumes were published posthumously, as was an additional novel—excavated from the final manuscripts—titled An American Type (2010).\",\"PeriodicalId\":45756,\"journal\":{\"name\":\"AMERICAN LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-10-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/obo/9780199827251-0227\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/obo/9780199827251-0227","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Henry Roth (b. 1906–d. 1995) was an American novelist and short-story writer whose autobiographically based fiction helped define immigrant fiction and American Jewish literature. Born in Tysmenitz, Galicia, then part of the Austro-Hungarian Empire, he resettled in the United States with his family in 1908. They at first lived in Brooklyn before moving to the Lower East Side of Manhattan. In 1914 they moved uptown to Harlem, where Roth attended City College of New York. While still an undergraduate, he was befriended by and moved in with Eda Lou Walton, a poet and an instructor at New York University. With her support, he wrote Call It Sleep, a powerful account of life on the Lower East Side as experienced by a little immigrant Jewish boy. The novel was published in 1934, to critical acclaim but few sales. By the early 1940s, disillusioned with the New York literary scene, he moved with his new wife, the musician Muriel Parker, whom he had met at the artists’ colony Yaddo, to Maine, where he made a subsistence living raising and slaughtering waterfowl. Call It Sleep had meanwhile fallen out of print and public awareness until a paperback edition was published in 1964 and hailed as a neglected masterpiece. Suddenly a bestselling author, Roth, who had written only a few short stories and essays—later collected in Shifting Landscape: A Composite (1987)—during the interim, slowly returned to writing. However, it was only after moving to New Mexico and the death of his beloved wife that Roth felt free to pour forth in fiction drawn closely from his own life. During his final decade, often in pain and longing for death, the octogenarian tapped out thousands of manuscript pages from which his assistant, Felicia Steele, and his editor, Robert Weil, carved out a tetralogy filled with painful personal revelations. In 1994, sixty years after his first novel, Call It Sleep, Roth was back in print with his second, the first volume of a series that took the title Mercy of a Rude Stream. The tetralogy consisted of A Star Shines over Mt. Morris Park (1994), A Diving Rock on the Hudson (1995), From Bondage (1996), and Requiem for Harlem (1998). The last two of the four volumes were published posthumously, as was an additional novel—excavated from the final manuscripts—titled An American Type (2010).
期刊介绍:
American Literature has been regarded since its inception as the preeminent periodical in its field. Each issue contains articles covering the works of several American authors—from colonial to contemporary—as well as an extensive book review section; a “Brief Mention” section offering citations of new editions and reprints, collections, anthologies, and other professional books; and an “Announcements” section that keeps readers up-to-date on prizes, competitions, conferences, grants, and publishing opportunities.