《反讽博士的教训:对唐娜·扎克伯格的《并非所有白人都死了》的反思

IF 0.2 3区 历史学 0 CLASSICS
ARETHUSA Pub Date : 2021-06-30 DOI:10.1353/are.2020.0009
J. Hejduk
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引用次数: 0

摘要

摘要:唐娜·扎克伯格的新书揭露了现代勾搭艺术家(pua)的黑暗亚文化,他们吹嘘自己把奥维德当作自己的主人,并利用他的Ars Amatoria来引诱策略。这篇文章展示了三种方式,这三种方式正是奥维德警告的误读的典型:根本不真正阅读,将自己的痴迷投射到文本上,以及未能识别假老师。它表明,对这种“文本滥用”的关键防御——现代世界生活的重要工具——是对讽刺的生动意识,奥维德确实在这一领域占据着至高无上的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lessons from the Doctor of Irony: A Reflection on Donna Zuckerberg’s Not All Dead White Men
Abstract:Donna Zuckerberg’s recent book exposes the dark subculture of modern pickup artists (PUAs), who brag about making Ovid their master and mining his Ars Amatoria for seduction strategies. The present article shows three ways in which PUAs exemplify the very kinds of misreading Ovid warns about: not really reading at all, projecting one’s own obsessions onto the text, and failing to recognize a bogus teacher. It suggests that a crucial defense against such “textual abuse”—and an important tool for life in the modern world—is a lively awareness of irony, the realm in which Ovid indeed reigns supreme.
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来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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