文化遗产的保护和归还——国家报告:印度尼西亚

Q2 Arts and Humanities
Emiline Smith, Rucitarahma Ristiawan, T. Sudarmadi
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引用次数: 0

摘要

本文概述了印度尼西亚独立后在文化遗产保护和遣返方面的现行立法和做法。我们强调了阻碍有效执行和执行这一框架的几个挑战,特别是在遣返外国持有文物方面。我们还探讨了围绕印度尼西亚文化遗产保护和遣返政策的以国家为中心的话语如何阻碍当地领导的与文化遗产有关的行动主义,特别是在价值生产和主人翁意识方面。总的来说,我们强调了在文化遗产知识生产过程和预防犯罪方法中共同创造的重要性,以最大限度地提高效率。通过对印度尼西亚文化遗产的殖民掠夺,代理权、使用权和所有权被暴力剥夺,因此,恢复性司法的第一步应该是恢复对原籍社区的司法,或者在无法确定合法原籍社区时恢复对印度尼西亚政府的司法。这不仅涉及文化对象本身,还涉及它们的数字和物理生活,即基于这些对象创造的知识和专业知识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Protection and Repatriation of Cultural Heritage – Country Report: Indonesia
This article provides a broad overview of Indonesia’s current post-independence legislation and practice with respect to cultural heritage protection and repatriation. We highlight several challenges that hamper the effective implementation and enforcement of this framework, particularly in relation to repatriation processes of foreign-held cultural objects. We furthermore explore how the State-centric discourse that surrounds Indonesia’s cultural heritage protection and repatriation policies impede locally-led activism related to cultural heritage, particularly in relation to value production and sense of ownership. Overall, we highlight the importance of co-creation in knowledge production processes and crime-prevention methods concerning cultural heritage to maximize effectiveness. Agency, access, and ownership were violently removed through the colonial looting of Indonesian cultural heritage, so the first step towards restorative justice should be reinstating this to the communities of origin, or to the Indonesian government when the rightful origin community cannot be identified. This concerns not only the cultural objects themselves, but also their digital and physical lives, i.e. the knowledge and expertise created based on these objects.
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
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