太空竞赛

IF 0.7 Q3 COMMUNICATION
R. Conrath
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引用次数: 0

摘要

本文讨论了当代艺术家考琳·史密斯对电影空间、地点和运动的美学和政治可能性的不断探索。它借鉴了文化地理学和黑人女权主义的一系列批判框架,在史密斯的作品中定位了一种倾向于关系和流动的根本非规范形式的美学和政治。借用了牙买加小说家和评论家Édouard Glissant的术语,并从他对殖民主义、种植园系统及其后世的空间动态的彻底阐释中更广泛地汲取了这一术语,文本将史密斯的电影失误界定为一种正式的技术操作,以及一种基于黑人女权主义实践的政治操作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Space Race
This paper discusses the practice of contemporary artist Cauleen Smith as an ongoing exploration of the aesthetic and political possibilities of cinematic space, place, and movement. Drawing upon a range of critical frameworks from cultural geography and Black feminism, it locates in Smith’s work an aesthetics and politics of errantry that favors radically nonnormative forms of relation and mobility. Borrowing the term from Martinican novelist and critic Édouard Glissant, and drawing more broadly from his thoroughgoing elucidations of the spatial dynamics of colonialism, the plantation system, and their afterlives, the text frames Smith’s cinematic errantry both as a formal and technological operation and as a political one grounded in a Black feminist praxis of place.
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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