“我不攻击他”:奥维德最后作品中(不)点名敌人的修辞处理与政治问题

IF 0.2 3区 历史学 0 CLASSICS
ARETHUSA Pub Date : 2021-06-30 DOI:10.1353/are.2020.0017
Hélène Vial
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引用次数: 0

摘要

摘要:写在黑海岸边的文本以一种关键的方式向我们揭示了奥维德自己声称过度使用的言论自由所代表的挑战。奥维德在他的作品《降级》中对敌人名字的处理中解决了这个问题,他肯定了语言在政治意义上的首要地位。但诗歌的力量使政治影响倍增,因为诗歌大胆地表达了一部作品的不可战胜的独立性,它首先站在一个原则面前,然后又站在另一个原则面前。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“I Attack Not Him”: The Rhetorical Treatment and Political Issue of (Not) Naming the Enemy in Ovid’s Last Works
Abstract:The texts written on the shores of the Black Sea reveal to us in a crucial way the challenge represented by the free speech of which Ovid himself claims to have made excessive use. Ovid grapples with this issue in his treatment of an enemy’s name in the works of relegatio, where he affirms the primacy of language over the political meaning. But the force of poetry multiplies the political impact, for what is then boldly expressed is the invincible independence of a work that stands up—first to one princeps and then to another.
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来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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