大便的魔力和形而上学:空间和数字技术的生产

IF 1.1 0 ARCHITECTURE

Architecture and Culture Pub Date : 2020-10-01 DOI:10.1080/20507828.2020.1792106

D. Capener

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引用次数: 3

摘要

摘要阅读亨利·列斐伏尔和伯纳德·斯蒂格勒，本文探讨了在我们这个数字技术时代，空间生产发生的变化。列斐伏尔通过计算技术的实施，感受到了社会正在发生的根本性变化。他提出了一个有先见之明的问题：这个空间是如何产生的？列斐伏尔无法预见第三次工业革命给空间生产的实际机制带来的重大变化。Bernard Stiegler是一位这样做的思想家，他对新的数字技术如何通过第三代记忆技术设备——人体外部的记忆存储设备——改变记忆感兴趣。与斯蒂格勒一起阅读列斐伏尔可能显得不同寻常，但我将证明，列斐伏尔关于空间产生的论点中隐含的是记忆，而斯蒂格勒关于记忆在技术中的外在化的论点中则隐含的是空间。

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The Magic and Metaphysics of Shit: The Production of Space and Digital Technology

ABSTRACT Reading Henri Lefebvre alongside Bernard Stiegler, this paper explores the changes that have taken place to the production of space in our age of digital technology. Lefebvre sensed the radical changes taking place in society through the implementation of computational technologies. He asked a prescient question: How is this space being produced? Lefebvre was unable to foresee the significant changes to the actual mechanics of the production of space brought about by the third industrial revolution. A thinker who does do this is Bernard Stiegler who is interested in how new digital technologies change memory via tertiary mnemotechnical devices – memory storage devices that are external to the human body. Reading Lefebvre alongside Stiegler might seem unusual, however I will demonstrate that implicit in Lefebvre’s argument regarding the production of space is memory and implicit in Stiegler’s argument regarding the exteriorization of memory in technics is space.

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来源期刊

Architecture and Culture ARCHITECTURE-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.