Albert Renger-Patzsch的剪贴簿

IF 0.1 3区艺术学 0 ART

Getty Research Journal Pub Date : 2020-01-01 DOI:10.1086/708322

Pepper Stetler

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引用次数: 0

摘要

本文探讨了德国摄影师Albert Renger Patzsch在1927年至1936年间制作的四本剪贴簿，这些剪贴簿现在是盖蒂研究所特别收藏的一部分。这些剪贴簿提供了伦格作为商业摄影师和新客观性风格主要支持者的多产职业生涯的档案记录。本文认为，这些剪贴簿不仅仅是一个专业档案，应该被视为伦格·帕奇摄影作品的一部分。这些物体展示了对蒙太奇的兴趣和摄影意义的散漫性质，挑战了Neue Sachlichkeit专门致力于视觉形式的透明度和清晰度的概念。

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Albert Renger-Patzsch’s Scrapbooks

This essay explores four scrapbooks produced by the German photographer Albert Renger-Patzsch between 1927 and 1936 that are now part of the Getty Research Institute special collections. The scrapbooks provide an archival record of Renger’s prolific career as a commercial photographer and main proponent of the Neue Sachlichkeit (New objectivity) style. This essay argues that these scrapbooks are more than a professional archive and should be considered part of Renger-Patzsch’s photographic work. Demonstrating an interest in montage and the discursive nature of photographic meaning, these objects challenge conceptions of Neue Sachlichkeit as devoted exclusively to the transparency and clarity of visual form.

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来源期刊

Getty Research Journal ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.