{"title":"《新事业》:怀旧、死亡和大卫·鲍伊的《我不能放弃一切》","authors":"Alice Masterson","doi":"10.1080/14797585.2021.2024057","DOIUrl":null,"url":null,"abstract":"ABSTRACT David Bowie’s swansong album Blackstar occupies a unique position in its proximity to the artist’s death: just two days. It thus provides an opportunity to examine how music, nostalgia, and mortality interact. Combining study into the links between music and nostalgia and analysis of use of quotation, I propose a reading of a ‘dual effect’ in which the track ‘I Can’t Give Everything Away’ explores themes of nostalgia and mortality whilst encouraging nostalgic feeling in its audiences. The article contributes to an understanding of how a musician’s death can alter audience interaction with their music, and how music itself can reflect mortality.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":"25 1","pages":"413 - 428"},"PeriodicalIF":1.5000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘A New Career’: nostalgia, mortality, and David Bowie’s ‘I Can’t Give Everything Away’\",\"authors\":\"Alice Masterson\",\"doi\":\"10.1080/14797585.2021.2024057\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT David Bowie’s swansong album Blackstar occupies a unique position in its proximity to the artist’s death: just two days. It thus provides an opportunity to examine how music, nostalgia, and mortality interact. Combining study into the links between music and nostalgia and analysis of use of quotation, I propose a reading of a ‘dual effect’ in which the track ‘I Can’t Give Everything Away’ explores themes of nostalgia and mortality whilst encouraging nostalgic feeling in its audiences. The article contributes to an understanding of how a musician’s death can alter audience interaction with their music, and how music itself can reflect mortality.\",\"PeriodicalId\":44587,\"journal\":{\"name\":\"Journal for Cultural Research\",\"volume\":\"25 1\",\"pages\":\"413 - 428\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for Cultural Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14797585.2021.2024057\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Cultural Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14797585.2021.2024057","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
‘A New Career’: nostalgia, mortality, and David Bowie’s ‘I Can’t Give Everything Away’
ABSTRACT David Bowie’s swansong album Blackstar occupies a unique position in its proximity to the artist’s death: just two days. It thus provides an opportunity to examine how music, nostalgia, and mortality interact. Combining study into the links between music and nostalgia and analysis of use of quotation, I propose a reading of a ‘dual effect’ in which the track ‘I Can’t Give Everything Away’ explores themes of nostalgia and mortality whilst encouraging nostalgic feeling in its audiences. The article contributes to an understanding of how a musician’s death can alter audience interaction with their music, and how music itself can reflect mortality.
期刊介绍:
JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.