《杀死字母》:《无名的犹大》中的交替文学与正体扭曲

IF 0.2 3区 历史学 Q2 HISTORY
Louise Creechan
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引用次数: 1

摘要

当《无名的犹大》(1895)以单卷小说的形式出版时,哈迪在扉页上加上了圣经中的绰号“killeth”。在裘德和他的作品中,哈迪陶醉于识字似乎自行消失的时刻。这篇文章追溯了哈迪试图通过与正字法的非标准接触来“杀死字母”,这是破坏意义固定性的更大的原现代主义方法的一部分。哈迪的小说中一次又一次地出现了与识字日益重要有关的几个问题,特别是:受教育程度较低的人的另类识字、符号多样性,以及拼写错误的变革潜力。我认为,哈迪对这些主题的处理表明,他持续努力“扼杀这封信”,并挑战19世纪后半叶发生的各种教育改革所取得的进步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Killing the Letter: Alternate Literacies and Orthographic Distortions in Jude the Obscure
When Jude the Obscure (1895) was published as a single volume novel, Hardy added the biblical epithet ‘the letter killeth’ to the title page. In Jude and across his works, Hardy revels in moments in which literacy seems to undo itself. This article traces Hardy’s attempts to ‘kill the letter’ through non-standard engagements with orthography as part of a larger proto-modernist approach that destabilizes the fixity of meaning. There are several concerns linked to the growing primacy of literacy that appear time and again in Hardy’s novels, specifically: the alternative literacies of the lesser educated, semiotic multiplicities, and the transformative potential of spelling mistakes. I suggest that Hardy’s treatment of these themes demonstrates a sustained effort to ‘kill the letter’ and challenge the assumption of progress made by the various educational reforms that had taken place in the latter half of the nineteenth century.
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CiteScore
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