{"title":"关于铸造蛾摩拉的观察。系列","authors":"D. Renga","doi":"10.1080/02614340.2021.1950430","DOIUrl":null,"url":null,"abstract":"ABSTRACT This short piece briefly addresses the casting of Ciro Di Marzio and Gennaro Savastano in Gomorra. La serie, paying particular attention to casting directors Sara Casani and Laura Muccino. The essay is based upon a personal interview with them, and investigates the hidden labour of casting directors in the Italian context who are more often than not women. It also pays special attention to the intricate process of casting two of the series’ focal villains, both of whom underwent profound bodily transformations before and during season one.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"252 - 255"},"PeriodicalIF":0.3000,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Observations on Casting Gomorra. La serie\",\"authors\":\"D. Renga\",\"doi\":\"10.1080/02614340.2021.1950430\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This short piece briefly addresses the casting of Ciro Di Marzio and Gennaro Savastano in Gomorra. La serie, paying particular attention to casting directors Sara Casani and Laura Muccino. The essay is based upon a personal interview with them, and investigates the hidden labour of casting directors in the Italian context who are more often than not women. It also pays special attention to the intricate process of casting two of the series’ focal villains, both of whom underwent profound bodily transformations before and during season one.\",\"PeriodicalId\":42720,\"journal\":{\"name\":\"Italianist\",\"volume\":\"41 1\",\"pages\":\"252 - 255\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Italianist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/02614340.2021.1950430\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2021.1950430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要：这篇短文简要介绍了Ciro Di Marzio和Gennaro Savastano在戈莫拉的选角。La serie，特别关注选角导演Sara Casani和Laura Muccino。这篇文章基于对他们的一次个人采访，调查了意大利背景下选角导演的隐性劳动，这些导演往往是女性。它还特别关注了该系列中两个焦点反派的复杂选角过程，他们在第一季之前和期间都经历了深刻的身体变化。
ABSTRACT This short piece briefly addresses the casting of Ciro Di Marzio and Gennaro Savastano in Gomorra. La serie, paying particular attention to casting directors Sara Casani and Laura Muccino. The essay is based upon a personal interview with them, and investigates the hidden labour of casting directors in the Italian context who are more often than not women. It also pays special attention to the intricate process of casting two of the series’ focal villains, both of whom underwent profound bodily transformations before and during season one.
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