{"title":"巴赫时代的流行音乐:莱比锡曼多拉手稿","authors":"Gary Sampsell","doi":"10.22513/BACH.48.1.0001","DOIUrl":null,"url":null,"abstract":"Research on music-making in Leipzig in the first part of the eighteenth century has traditionally focused on composers such as Johann Kuhnau, Georg Philipp Telemann, and Johann Sebastian Bach, all of whom were associated with institutions. However, the great majority of music-making in Leipzig and other cities occurred in informal settings and seldom found its way into the historical record. This was particularly true when there was no demonstrable connection to a famous composer; as a result, this area has remained relatively unexplored.","PeriodicalId":42367,"journal":{"name":"BACH","volume":"48 1","pages":"1 - 35"},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript\",\"authors\":\"Gary Sampsell\",\"doi\":\"10.22513/BACH.48.1.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Research on music-making in Leipzig in the first part of the eighteenth century has traditionally focused on composers such as Johann Kuhnau, Georg Philipp Telemann, and Johann Sebastian Bach, all of whom were associated with institutions. However, the great majority of music-making in Leipzig and other cities occurred in informal settings and seldom found its way into the historical record. This was particularly true when there was no demonstrable connection to a famous composer; as a result, this area has remained relatively unexplored.\",\"PeriodicalId\":42367,\"journal\":{\"name\":\"BACH\",\"volume\":\"48 1\",\"pages\":\"1 - 35\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BACH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22513/BACH.48.1.0001\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BACH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22513/BACH.48.1.0001","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript
Research on music-making in Leipzig in the first part of the eighteenth century has traditionally focused on composers such as Johann Kuhnau, Georg Philipp Telemann, and Johann Sebastian Bach, all of whom were associated with institutions. However, the great majority of music-making in Leipzig and other cities occurred in informal settings and seldom found its way into the historical record. This was particularly true when there was no demonstrable connection to a famous composer; as a result, this area has remained relatively unexplored.