福柯的《酷儿处女:片段中未完成的历史》

Q2 Arts and Humanities
L. Huffer
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引用次数: 2

摘要

本文关注米歇尔·福柯《性史》第四卷《肉的自白》的中心位置——童贞。本文从修辞的角度解读童贞,主张福柯的反行为伦理和政治,其特征是交叉性,一种反向平行的修辞结构。这种狭隘的结构将福柯的《忏悔录》和他的所有作品框定为一个支离破碎、自我空洞的演讲,被死亡和主题的解体所困扰。这篇文章把福柯解读为一种情绪失控的言论,它回到我们身边,不再是它本身,变得奇怪。在那场永恒重现的死亡运动中,福柯的《忏悔录》在死后从酷儿处女的x’d out之地讲述:在一个将生与死区分开来的门槛上,在一场元黑色或伦理转变的运动中。作为一部支离破碎的未完成的历史,这篇文章的形式引起了人们对不完整性的关注,这是福柯作品的一个重要方面。一段未完成的历史的碎片化突出了诗意的不连续性,这是福柯谱系方法和思想的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Foucault’s Queer Virgins: An Unfinished History in Fragments
This essay attends to the place of virginity at the center of the fourth volume of Michel Foucault’s History of Sexuality, Confessions of the Flesh. Reading virginity through a rhetorical lens, the essay argues for an ethics and a politics of counter-conduct in Foucault characterized by chiasmus, a rhetorical structure of inverted parallelism. That chiastic structure frames Foucault’s Confessions, and all of his work, as a fragmented, self-hollowing speech haunted by death and the dissolution of the subject. The essay reads Foucault as apophatic speech that returns to us, no longer itself, made strange. In that deathly movement of eternal recurrence, Foucault’s Confessions speak after death from the x’d out place of the queer virgin: on a threshold that separates life from death, in a movement of metanoia or ethical conversion. As an unfinished history in fragments, the essay’s form brings attention to incompletion as a crucial aspect of Foucault’s work. The fragmentation that characterizes an unfinished history underscores poetic discontinuity as the hallmark of Foucault’s genealogical method and thought.
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来源期刊
Foucault Studies
Foucault Studies Arts and Humanities-Philosophy
CiteScore
0.70
自引率
0.00%
发文量
12
审稿时长
36 weeks
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