詹姆斯·达肖:《纯粹持续时间的声音》,第2卷

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Ross Feller
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引用次数: 0

摘要

詹姆斯·达肖的第二卷声音在纯持续时间的特点是电子声音的作品,其中有几个是为器乐或声乐独奏者组成的。这位作曲家在电子和计算机音乐界很有名,几十年来创作了大量的作品。此版本包含了2014年至2020年之间的《探听》系列的最后四部作品,以及“…”的发行。在其他时间,距离,“一个更古老的四声部作品。这张DVD包含立体声混音和完整的5.0环绕混音为每五个组成。立体声版本都在空间上进行了增强,以表明比正常音频场更宽。达肖最著名的作品可能是他的空间化作品。根据班轮附注,
本文章由计算机程序翻译,如有差异,请以英文原文为准。
James Dashow: Soundings in Pure Duration, Volume 2
James Dashow’s second volume of Soundings in Pure Duration features works for electronic sounds, several which are composed for instrumental or vocal soloists. The composer is well known in the electronic and computer music worlds and has produced a large amount of work over many decades. This release contains the last four works in the Soundings series, composed between 2014 and 2020, as well as the rerelease of “. . . At Other Times, the Distances,” an older, quadraphonic composition. This DVD contains stereo mix downs and full 5.0-surround mixes for each of the five compositions. The stereo versions were all spatially enhanced to suggest a wider-than-normal audio field. Dashow is perhaps best known for his work with spatialization. According to the liner notes,
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来源期刊
Computer Music Journal
Computer Music Journal 工程技术-计算机:跨学科应用
CiteScore
1.80
自引率
0.00%
发文量
2
审稿时长
>12 weeks
期刊介绍: Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.
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