“芝加哥文艺复兴时期的女性”:玛格丽特·泰勒·戈斯·巴勒斯博士的生活、激进主义和流散的文化女权主义

Q1 Social Sciences
Olivia M. Hagedorn
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引用次数: 0

摘要

摘要本文分析了Margaret Taylor Goss Burroughs博士的生平,她是一位教师、作家、艺术家和公共历史学家,于1961年创建了芝加哥杜萨伯非裔美国人历史博物馆。在她的一生中,巴勒斯利用艺术、教育和公共历史打造了一个独特的散居文化女权主义品牌,将芝加哥与非洲世界联系在一起。我用这个词来阐明巴勒斯的跨国和跨部门女权主义意识,她拒绝接受黑人女性性滥交的观念,通过她的艺术和旅行重塑了主流的受人尊敬的做法,并用流散的语言强调种族、性别和阶级压迫之间的联系。作为一个理论框架,流散文化女权主义将非洲流散者的地理范围扩展到了中西部,展示了黑人女性如何成为黑人国际主义思想的权威先驱,并阐明了种族、空间和性别如何塑造芝加哥的流散政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Chicago’s Renaissance woman’: the life, activism, and diasporic cultural feminism of Dr. Margaret Taylor Goss Burroughs
ABSTRACT This article analyzes the life of Dr. Margaret Taylor Goss Burroughs, a teacher, writer, artist, and public historian who founded Chicago’s DuSable Museum of African American History in 1961. Throughout her life, Burroughs used art, education, and public history to forge a distinct brand of diasporic cultural feminism that linked Chicago to the African world. I use this term to elucidate the transnational and intersectional feminist consciousness of Burroughs, who rejected perceptions of black women as sexually promiscuous, reshaped dominant practices of respectability through her art and travel, and emphasized connections among racial, gender, and class oppression in diasporic terms. As a theoretical framework, diasporic cultural feminism extends the geographical scope of the African diaspora to include the Midwest, demonstrates how black women were authoritative progenitors of black internationalist thought, and illuminates how race, space, and gender shaped diasporic politics in Chicago.
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来源期刊
African and Black Diaspora
African and Black Diaspora Social Sciences-Cultural Studies
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