{"title":"Laura De Becker和Ozi Uduma策划的《我们给你写关于非洲的信》;希望你在这里:非洲艺术和恢复由劳拉·德·贝克尔,布里奇特·格里尔,蒂姆特·格达尔和奥齐·乌杜玛策展","authors":"Carlee S. Forbes","doi":"10.1162/afar_r_00700","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":45314,"journal":{"name":"AFRICAN ARTS","volume":"56 1","pages":"86-88"},"PeriodicalIF":0.3000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"We Write to You About Africa curated by Laura De Becker and Ozi Uduma; Wish You Were Here: African Art and Restitution curated by Laura De Becker, Bridget Grier, Timnet Gedar, and Ozi Uduma\",\"authors\":\"Carlee S. Forbes\",\"doi\":\"10.1162/afar_r_00700\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":45314,\"journal\":{\"name\":\"AFRICAN ARTS\",\"volume\":\"56 1\",\"pages\":\"86-88\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AFRICAN ARTS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/afar_r_00700\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AFRICAN ARTS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/afar_r_00700","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
We Write to You About Africa curated by Laura De Becker and Ozi Uduma; Wish You Were Here: African Art and Restitution curated by Laura De Becker, Bridget Grier, Timnet Gedar, and Ozi Uduma
期刊介绍:
African Arts is devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed high-quality visual depictions, cutting-edge explorations of theory and practice, and critical dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the world"s second largest continent and its diasporas, and provides a host of resources - book and museum exhibition reviews, exhibition previews, features on collections, artist portfolios, dialogue and editorial columns. The journal promotes investigation of the connections between the arts and anthropology, history, language, literature, politics, religion, and sociology.