{"title":"神奇真菌","authors":"P. Moore","doi":"10.1080/14888386.2021.1944318","DOIUrl":null,"url":null,"abstract":"The beautifully crafted documentary Fantastic Fungi – The Magic Beneath Our Feet, by Louie Schwartzberg, serves as a paean to the often-underappreciated mushroom. Using immaculately constructed computer animated graphics, eye-popping time lapses and sumptuous photography, Fantastic Fungi does in fact manage to deliver the ‘magic beneath our feet’ through our very own TV screens. Neither animal nor vegetable, the mushroom has defied easy classification, despite many attempts by mycologists over the years. In 1767, Carl Linnaeus, the Swedish botanist, zoologist, taxonomist and physician who formalized binomial nomenclature, published the 12th edition of his Systema Naturae. Frustrated by attempts to categorize the notoriously unclassifiable fungi, he banished a diverse selection of fungal groups to a species he called Chaos fungorum. For me, this tale speaks to the riotous marvel that is the fungal world. In conversations between scientific researchers, enthusiastic amateurs and avant-garde experimenters, fungi are at the leading edge of discovery: the quintessence of science. Discoveries, broad in place and time, are difficult to attribute to a single person; the scientific enterprise is as much about the network of learning and sharing information as it is about singular individuals. With the Internet, the distribution of information and communication is much easier. And as the film reminds us, the structure of mycelium is much like the Internet and the sharing of knowledge. However, despite a wide cast, the documentary rests much of its narrative drive around Paul Stamets – the voice of mushrooms. His 2008 TED talk, ‘6 Ways Mushrooms Can Save the World’, has been viewed over six million times. As a key communicator, passionate advocate and autodidact, Stamets is the epitome of an amateur scientist. This is not intended on my part to be a slur, but rather a compliment; ‘amateur’ of course comes from the Latin amare: ‘to love’. His passion infuses his work, and this film, with the spirit of enchantment and discovery – prime movers in any approach to science. Using interviews with chefs, mycologists, foresters, psychologists and psychiatrists, the documentary deftly weaves a tale of the ways in which fungi play an inextricably important role in our lives, our cultures, our medicines and our relationship to the natural world. The grand molecular decomposers of nature, fungi are given an almost mystical and sentient acclaim in the film – which may put some serious-minded viewers off. Yet as a documentary film for public consumption, Fantastic Fungi doesn’t quite untether itself from reality, but rather presents unique ideas as an invitation into discovery. This is in part due to the fact that Stamets is a masterful communicator and interviews well. 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Neither animal nor vegetable, the mushroom has defied easy classification, despite many attempts by mycologists over the years. In 1767, Carl Linnaeus, the Swedish botanist, zoologist, taxonomist and physician who formalized binomial nomenclature, published the 12th edition of his Systema Naturae. Frustrated by attempts to categorize the notoriously unclassifiable fungi, he banished a diverse selection of fungal groups to a species he called Chaos fungorum. For me, this tale speaks to the riotous marvel that is the fungal world. In conversations between scientific researchers, enthusiastic amateurs and avant-garde experimenters, fungi are at the leading edge of discovery: the quintessence of science. Discoveries, broad in place and time, are difficult to attribute to a single person; the scientific enterprise is as much about the network of learning and sharing information as it is about singular individuals. 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引用次数: 0
摘要
路易·施瓦茨伯格(Louie Schwartzberg)精心制作的纪录片《神奇真菌——我们脚下的魔法》(Fantastic Fungi——The Magic Under Our Feet)是对这种经常被低估的蘑菇的赞歌。神奇真菌利用完美构建的计算机动画图形、令人瞠目的时间流逝和华丽的摄影,事实上,它确实通过我们自己的电视屏幕传递了“我们脚下的魔力”。蘑菇既不是动物也不是蔬菜,尽管真菌学家多年来进行了多次尝试,但它仍然难以简单分类。1767年,瑞典植物学家、动物学家、分类学家和医生卡尔·林奈正式制定了二项式命名法,出版了他的《自然系统》第12版。由于对这种臭名昭著的不可分类真菌进行分类的尝试感到沮丧,他将各种各样的真菌类群驱逐到了一个他称之为Chaos fungorum的物种中。对我来说,这个故事讲述了真菌世界的狂欢奇迹。在科学研究人员、热情的业余爱好者和先锋实验者之间的对话中,真菌处于发现的前沿:科学的精髓。这些发现,无论在地点还是时间上都很广泛,很难归因于一个人;科学事业不仅关乎个体,也关乎学习和共享信息的网络。有了互联网,信息和通信的分发就容易多了。正如电影提醒我们的那样,菌丝体的结构很像互联网和知识共享。然而,尽管演员阵容广泛,这部纪录片的大部分叙事动力都围绕着蘑菇的声音保罗·斯塔梅斯展开。他2008年的TED演讲“蘑菇拯救世界的6种方法”已经被观看了600多万次。作为一名关键的沟通者、热情的倡导者和自学成才者,斯塔梅特斯是业余科学家的缩影。这不是我的侮辱,而是一种赞美;”“业余爱好者”当然来自拉丁语amare:“去爱”。他的热情为他的作品和这部电影注入了魅力和发现的精神——这是任何科学方法的主要推动者。这部纪录片通过对厨师、真菌学家、林业学家、心理学家和精神病学家的采访,巧妙地编织了一个故事,讲述了真菌在我们的生活、文化、药物以及我们与自然世界的关系中发挥着不可分割的重要作用。真菌是自然界的大分子分解者,在这部电影中受到了近乎神秘和感性的赞誉,这可能会让一些严肃的观众望而却步。然而,作为一部供公众消费的纪录片,《神奇真菌》并没有完全脱离现实,而是提出了独特的想法,作为一种探索的邀请。这在一定程度上是因为斯塔梅特斯是一个善于沟通和面试的人。不管你喜不喜欢他,他无疑很有魅力。正如他在影片早期所说,
The beautifully crafted documentary Fantastic Fungi – The Magic Beneath Our Feet, by Louie Schwartzberg, serves as a paean to the often-underappreciated mushroom. Using immaculately constructed computer animated graphics, eye-popping time lapses and sumptuous photography, Fantastic Fungi does in fact manage to deliver the ‘magic beneath our feet’ through our very own TV screens. Neither animal nor vegetable, the mushroom has defied easy classification, despite many attempts by mycologists over the years. In 1767, Carl Linnaeus, the Swedish botanist, zoologist, taxonomist and physician who formalized binomial nomenclature, published the 12th edition of his Systema Naturae. Frustrated by attempts to categorize the notoriously unclassifiable fungi, he banished a diverse selection of fungal groups to a species he called Chaos fungorum. For me, this tale speaks to the riotous marvel that is the fungal world. In conversations between scientific researchers, enthusiastic amateurs and avant-garde experimenters, fungi are at the leading edge of discovery: the quintessence of science. Discoveries, broad in place and time, are difficult to attribute to a single person; the scientific enterprise is as much about the network of learning and sharing information as it is about singular individuals. With the Internet, the distribution of information and communication is much easier. And as the film reminds us, the structure of mycelium is much like the Internet and the sharing of knowledge. However, despite a wide cast, the documentary rests much of its narrative drive around Paul Stamets – the voice of mushrooms. His 2008 TED talk, ‘6 Ways Mushrooms Can Save the World’, has been viewed over six million times. As a key communicator, passionate advocate and autodidact, Stamets is the epitome of an amateur scientist. This is not intended on my part to be a slur, but rather a compliment; ‘amateur’ of course comes from the Latin amare: ‘to love’. His passion infuses his work, and this film, with the spirit of enchantment and discovery – prime movers in any approach to science. Using interviews with chefs, mycologists, foresters, psychologists and psychiatrists, the documentary deftly weaves a tale of the ways in which fungi play an inextricably important role in our lives, our cultures, our medicines and our relationship to the natural world. The grand molecular decomposers of nature, fungi are given an almost mystical and sentient acclaim in the film – which may put some serious-minded viewers off. Yet as a documentary film for public consumption, Fantastic Fungi doesn’t quite untether itself from reality, but rather presents unique ideas as an invitation into discovery. This is in part due to the fact that Stamets is a masterful communicator and interviews well. Whether you like him or not, he is undeniably engaging. As he says early on in the film,
BiodiversityEnvironmental Science-Nature and Landscape Conservation
CiteScore
1.80
自引率
0.00%
发文量
17
期刊介绍:
The aim of Biodiversity is to raise an appreciation and deeper understanding of species, ecosystems and the interconnectedness of the living world and thereby avoid the mismanagement, misuse and destruction of biodiversity. The Journal publishes original research papers, review articles, news items, opinion pieces, experiences from the field and book reviews, as well as running regular feature sections. Articles are written for a broad readership including scientists, educators, policy makers, conservationists, science writers, naturalists and students. Biodiversity aims to provide an international forum on all matters concerning the integrity and wellness of ecosystems, including articles on the impact of climate change, conservation management, agriculture and other human influence on biodiversity.