埋葬亡灵:奥尔加·斯拉夫尼科娃和谢尔盖·列别捷夫小说中的苏联往事

Q4 Arts and Humanities
Alena Heinritz
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引用次数: 3

摘要

我问他们,奥尔加·斯拉夫尼科娃和谢尔盖·列别捷夫的小说是如何反映俄罗斯后苏联时代和苏联过去以及当代历史政治之间和解的可能性的。这两部小说都将在“魔幻历史主义”(Etkind)的背景下阅读,这是一种利用怪诞元素揭示过去创伤事件在当今时代的遗产的体裁。在讨论了幽灵(马克思、德里达)和“未被埋葬的人”(埃特金)的概念之后,我认为幽灵和其他类似的形象反映了中介性。在这两个案例研究中,我将“萦绕”作为在话语中描述共产主义和苏联过去时出现的问题的反映。我认为,话语描述是接受苏联过去的先决条件。关键词:列别捷夫;Slavnikova;俄国文学;共产主义;和解;spectrality;DOI: 10.14712/23363231.2018.4
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Burying the Undead: Coming to Terms with the Soviet Past in Novels by Ol’ga Slavnikova and Sergei Lebedev
I ask how novels by Ol’ga Slavnikova and Sergei Lebedev reflect the possibility of reconciliation between the post-Soviet present and the Soviet past in Russia and the contemporary politics of history. Both novels will be read in the context of “magical historicism” (Etkind), a genre that uncovers the legacy of traumatic past events in the present time using elements of the grotesque. After discussing the concepts of spectrality (Marx, Derrida) and hauntings by the “unburied” (Etkind), I argue that specters and other similar figures reflect mediality. In the two case studies, I present haunting as a reflection of the problems that arise in the attempt to delineate communism and the Soviet past in discourse. Discursive delineation, I argue, is a precondition for coming to terms with the Soviet past. Keywords: Lebedev; Slavnikova; Russian literature; communism; reconciliation; spectrality; trauma DOI: 10.14712/23363231.2018.4
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