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引用次数: 0
摘要
本文利用对巴西累西腓当代音乐的民族志研究,展示了东北部伯南布哥州的人们如何通过与邻近的巴伊亚州进行音乐调解竞争来重新定义地区身份。虽然这种竞争是长期存在的,但在2000年代和2010年代,州政府努力将伯南布哥打造成一个多元文化的地方,它被重新配置。因此,我分析了中产阶级参与者在一个我称之为伯南布哥文化基金会(funda o Cultural de Pernambuco)的政府机构主办的活动中,是如何贬低巴伊亚的两种舞蹈类型的:ax音乐和swingueira(又名pagode baiano),其方式与种族和阶级成见交织在一起。因此,我认为,东北人的污名化并不是东南霸权所独有的,而是在东北内部(再)产生的。因此,这个案例证明了基于地点的品牌如何使个人和机构能够再现和证明社会不平等。
This article draws on ethnographic research on contemporary music in Recife, Brazil, to show how people in the northeastern state of Pernambuco are redefining regional identity through engaging in a musically mediated rivalry with the neighboring state of Bahia. While this rivalry is longstanding, during the 2000s and 2010s, it was reconfigured in relation to the state government’s efforts to brand Pernambuco as a multicultural place. Accordingly, I analyze how middle-class participants at events hosted by a government institution that I call the Fundação Cultural de Pernambuco, disparage two Bahian dance genres: axé music and swingueira (a.k.a. pagode baiano), in ways that intertwine racial and class-based stereotypes. I therefore argue that the stigmatization of northeastern people is not exclusive to the hegemonic southeast, but it is also (re)produced within the northeast. This case thus demonstrates how place-based branding enables individuals and institutions to reproduce and justify social inequality.
期刊介绍:
Luso-Brazilian Review publishes interdisciplinary scholarship on Portuguese, Brazilian, and Lusophone African cultures, with special emphasis on scholarly works in literature, history, and the social sciences. Each issue of the Luso-Brazilian Review includes articles and book reviews, which may be written in either English or Portuguese.