深海舞蹈

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2022-07-01 DOI:10.1386/chor_00043_3

R. Jensen

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引用次数: 1

摘要

深海经常被用来比喻我们不理解的东西，它象征着悖论、恐惧、希望和潜力。大部分未被发现的地方是我们的祖先居住的地方，直到最近，当我们走向海滩，他们走向海洋形成的原始夜晚的黑暗时，我们才与他们共享道路。这篇文章是深海舞蹈的一种视觉和书面符号形式，深海舞蹈是一个创作于2015 - 17年的即兴团体作品，并在2017年墨尔本舞蹈节上演出。这个符号可以被解释为重新制定作品的节选，并且可以建立并发展成其他东西。深海舞蹈的发展源于一种愿望，即创造一个空间来分享实践，并与16位同行建立一种共同的运动语言，平衡理论与社会和实践，并利用表演作为一种反思和谴责促进二元关系和思维的政治制度的手段。

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Deep Sea Dances

Ubiquitously used as an analogy for something we do not understand, the deep sea signifies paradox, terror, hope and potential. Largely undiscovered it is inhabited by our ancestors whom we shared paths with until relatively recently, as we moved towards the beach and they towards the blackness of primaeval night in which the ocean came into being. This text is a form of visual and written notation for Deep Sea Dances, an improvised group work created across 2015‐17 and performed in Dance Massive Festival, Melbourne 2017. This notation can be interpreted to re-enact excerpts from the work and can be built upon and developed into something else. Deep Sea Dances developed out of a desire to create a space to share practice and build a common movement language with a group of sixteen peers, balancing what is theoretical with the social and practical and to utilize performance as a means of reflection and a denouncement of political systems that foster binary relations and thinking.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.