{"title":"为什么我们喜欢音乐？","authors":"Robert J Zatorre","doi":"","DOIUrl":null,"url":null,"abstract":"<p><p><i>While the human brain is hardwired to feel pleasure for basic survival necessities, such as eating and sex, music-although obviously pleasurable-doesn't offer the same evolutionary advantages. So why do we respond to patterns of sounds that disappear in an instant? Why do we belt music from the top of our lungs, learn to play instruments, and empty our bank accounts to see Bruce Springsteen on Broadway? Our author offers some valuable insights</i>.</p>","PeriodicalId":72553,"journal":{"name":"Cerebrum : the Dana forum on brain science","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6353111/pdf/","citationCount":"0","resultStr":"{\"title\":\"Why Do We Love Music?\",\"authors\":\"Robert J Zatorre\",\"doi\":\"\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p><i>While the human brain is hardwired to feel pleasure for basic survival necessities, such as eating and sex, music-although obviously pleasurable-doesn't offer the same evolutionary advantages. So why do we respond to patterns of sounds that disappear in an instant? Why do we belt music from the top of our lungs, learn to play instruments, and empty our bank accounts to see Bruce Springsteen on Broadway? Our author offers some valuable insights</i>.</p>\",\"PeriodicalId\":72553,\"journal\":{\"name\":\"Cerebrum : the Dana forum on brain science\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6353111/pdf/\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cerebrum : the Dana forum on brain science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cerebrum : the Dana forum on brain science","FirstCategoryId":"1085","ListUrlMain":"","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
While the human brain is hardwired to feel pleasure for basic survival necessities, such as eating and sex, music-although obviously pleasurable-doesn't offer the same evolutionary advantages. So why do we respond to patterns of sounds that disappear in an instant? Why do we belt music from the top of our lungs, learn to play instruments, and empty our bank accounts to see Bruce Springsteen on Broadway? Our author offers some valuable insights.
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