{"title":"新冠肺炎时代桑贝·皮耶肖像画的数字化解读","authors":"Laura A Macaluso","doi":"10.1111/muwo.12341","DOIUrl":null,"url":null,"abstract":"look at the Portrait of Sengbe Pieh in the context of four digital presentations which be about portraiture in the of the transatlantic slave In this productive digital context where scholarship and public production and consumption mingle, can viewers determine what being Black and Muslim meant in the of the from these new digital endeavors? How does the Portrait of Sengbe Pieh work with these new ways of viewing historic black portraiture made for transatlantic","PeriodicalId":45729,"journal":{"name":"MUSLIM WORLD","volume":"110 3","pages":"410-427"},"PeriodicalIF":0.5000,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muwo.12341","citationCount":"0","resultStr":"{\"title\":\"A Digital Reading of the <i>Sengbe Pieh </i>Portrait in the Covid-19 Era.\",\"authors\":\"Laura A Macaluso\",\"doi\":\"10.1111/muwo.12341\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"look at the Portrait of Sengbe Pieh in the context of four digital presentations which be about portraiture in the of the transatlantic slave In this productive digital context where scholarship and public production and consumption mingle, can viewers determine what being Black and Muslim meant in the of the from these new digital endeavors? How does the Portrait of Sengbe Pieh work with these new ways of viewing historic black portraiture made for transatlantic\",\"PeriodicalId\":45729,\"journal\":{\"name\":\"MUSLIM WORLD\",\"volume\":\"110 3\",\"pages\":\"410-427\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2020-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1111/muwo.12341\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSLIM WORLD\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1111/muwo.12341\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"2020/11/16 0:00:00\",\"PubModel\":\"Epub\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSLIM WORLD","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1111/muwo.12341","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2020/11/16 0:00:00","PubModel":"Epub","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
A Digital Reading of the Sengbe Pieh Portrait in the Covid-19 Era.
look at the Portrait of Sengbe Pieh in the context of four digital presentations which be about portraiture in the of the transatlantic slave In this productive digital context where scholarship and public production and consumption mingle, can viewers determine what being Black and Muslim meant in the of the from these new digital endeavors? How does the Portrait of Sengbe Pieh work with these new ways of viewing historic black portraiture made for transatlantic
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