西好莱坞除了白人没有什么了不起:塑造“有色人种同性恋”。

The Sociological Quarterly Pub Date : 2017-01-01 Epub Date: 2017-08-07 DOI:10.1080/00380253.2017.1354734
Chong-Suk Han, George Ayala, Jay P Paul, Kyung-Hee Choi
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引用次数: 9

摘要

种族和性别身份不是一个等待被发现或发展的确定的终点,而是可以被视为流动的、可塑的社会身份,是通过定义作为一个社会群体的成员意味着什么的社会过程而被社会创造出来的。本文通过研究有色人种男同性恋者的个人轶事来讨论他们如何将自己视为“有色人种男同性恋者”,从而扩展了社会身份是如何构建的研究。在这样做的过程中,我们发现有色人种的男同性恋者使用了许多文化比喻,这些比喻为他们提供了必要的框架,以便在一个以白人为主的异性恋社会的更大社会背景下构建他们的经历。利用这些文化隐喻,有色人种同性恋者通过使用共同的文化隐喻来定义作为这个群体的一员意味着什么,从而创造了一种同时被种族和性别区分的社会身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
West Hollywood is Not That Big on Anything But White People: Constructing "Gay Men of Color".

Rather than a defined endpoint that is waiting to be discovered or developed, racial and sexual identities can be considered social identities which are fluid, malleable, and socially created through a social process that defines what it means to be a member of a social group. This paper expands the work on how social identities are constructed by examining personal anecdotes used by gay men of color to discuss how they come to see themselves as "gay men of color." In doing so, we find that gay men of color use a number of cultural tropes that provide them the framework necessary to structure their experiences within a larger social context of a largely white, heterosexual society. Drawing on these cultural tropes, gay men of color create a social identity that is simultaneously raced and sexed through the use of shared cultural tropes that define what it means to be a member of this group.

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