{"title":"[维萨里在西班牙和英国的接待]。","authors":"Maria Portmann","doi":"","DOIUrl":null,"url":null,"abstract":"<p><p>This paper discusses the depiction of engravings taken from Vesalius's, Valverde de Hamusco's and Casserio 's treatises in portraits during the 16th and the 17th centuries to understand better the reception of the Fabrica in Spain and England.</p>","PeriodicalId":13089,"journal":{"name":"Histoire des sciences medicales","volume":"48 4","pages":"503-11"},"PeriodicalIF":0.0000,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"[The reception of Vesalius in Spain and England].\",\"authors\":\"Maria Portmann\",\"doi\":\"\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>This paper discusses the depiction of engravings taken from Vesalius's, Valverde de Hamusco's and Casserio 's treatises in portraits during the 16th and the 17th centuries to understand better the reception of the Fabrica in Spain and England.</p>\",\"PeriodicalId\":13089,\"journal\":{\"name\":\"Histoire des sciences medicales\",\"volume\":\"48 4\",\"pages\":\"503-11\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Histoire des sciences medicales\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Histoire des sciences medicales","FirstCategoryId":"1085","ListUrlMain":"","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This paper discusses the depiction of engravings taken from Vesalius's, Valverde de Hamusco's and Casserio 's treatises in portraits during the 16th and the 17th centuries to understand better the reception of the Fabrica in Spain and England.
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