Neil S Hockley, Frauke Bahlmann, Bernadette Fulton
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引用次数: 15
摘要
助听器设计的重点是放大语音,减少听力损失带来的负面影响。许多业余和专业音乐家,以及音乐爱好者,也要求他们的助听器在听现场音乐的频繁,高振幅峰值时表现良好。在目前大多数带有16位模数(A/D)转换器的数字助听器中,一个限制是A/D转换前的压缩器在输入处被限制在95 dB (SPL)或更低。这对于语音的动态范围来说已经足够了;然而,这并不能适应现场音乐中出现的振幅峰值。可以调整助听器输入压缩系统以适应音乐中存在的幅度,否则这些幅度将在助听器中的A/D转换器之前被压缩。本文将介绍这种技术方法背后的方法,以及证明其有效性的测量方法。
Analog-to-digital conversion to accommodate the dynamics of live music in hearing instruments.
Hearing instrument design focuses on the amplification of speech to reduce the negative effects of hearing loss. Many amateur and professional musicians, along with music enthusiasts, also require their hearing instruments to perform well when listening to the frequent, high amplitude peaks of live music. One limitation, in most current digital hearing instruments with 16-bit analog-to-digital (A/D) converters, is that the compressor before the A/D conversion is limited to 95 dB (SPL) or less at the input. This is more than adequate for the dynamic range of speech; however, this does not accommodate the amplitude peaks present in live music. The hearing instrument input compression system can be adjusted to accommodate for the amplitudes present in music that would otherwise be compressed before the A/D converter in the hearing instrument. The methodology behind this technological approach will be presented along with measurements to demonstrate its effectiveness.