非洲装饰:身体形象和身体美的象征。

Leah Davidson
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引用次数: 5

摘要

非洲人对美的观念和身体的装饰反映了面对死亡时对生命的庆祝。它们来源于远古时代和人作为生物动物的意识,在与其他野兽生活的背景下。在这些物种中,人类是唯一一种天生赤裸的物种,没有自然的保护和装饰,比如皮毛、条纹或羽毛。因此,身体是一种资产,必须加以保护和保护,同时也要表现出力量和性欲,这样才能吸引伴侣。在非洲文化中,美作为一种自我尊重的来源,也常常是通过对动物的同理心来实现的。非洲人对生与死的原始态度和美的象征显然影响了弗洛伊德的第四本能理论,即爱神和Thanotos的概念,以及埃里希·弗洛姆关于热爱生命和热爱死亡的社会的想法,如他们著作中的摘录所示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Africa adorned: body image and symbols of physical beauty.

African concepts of beauty and adornments of the body reflect a celebration of life in the face of death. They are derived from ancient times and the sense of man as a biological animal, within the context of life with other beasts. Among these, man is the only one who is born naked without nature's protections and adornment, such as fur, stripes, or feathers. The body is therefore an asset which must be guarded and covered and yet be expressive of strength as well as sexual desire, so as to attract a mate. Beauty, as a source of self-regard in African cultures is also often achieved through empathic identification with animals. Primordial African attitudes to life and death and symbols of beauty apparently influenced Freud's fourth instinct theory conceptions of Eros and Thanotos, as well as Erich Fromm's ideas about life-loving and death-loving societies, as illustrated in selected quotations from their writings.

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