19世纪和20世纪初选定艺术家的视觉困难和眼科护理的局限性(AOS论文)。

James G Ravin
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引用次数: 0

摘要

目的:从医学史的角度探讨眼病对几位重要艺术家的影响,这些艺术家很少受到关注。所选的例子展示了艺术家不得不面对的不同类型眼病的问题,包括白内障、青光眼和视网膜疾病。所提供的眼科护理是根据当时的科学知识来描述的。方法:对第一手资料和第二手资料进行调查。与艺术史学家和眼科史学家讨论。检查艺术家的作品。结果:眼疾对艺术家的影响很大,会改变他们看世界的能力。这里描述的个人在19世纪和20世纪上半叶工作。荷马·马丁患有白内障,随着年龄的增长,他的作品在细节和色彩上都发生了变化。亨利·哈皮尼,他的职业生涯非常长,毫无疑问,他患有白内障,也可能患有黄斑变性。闭角型青光眼致盲。奥古斯特·拉维尔(Auguste Ravier)一只眼睛患有新生血管性青光眼,剩下的一只眼睛患上了白内障,他还能用它工作。Louis Valtat很可能患有开角型青光眼,但在他的作品中并没有明显的这种疾病的具体变化。Roger bissi tre患上青光眼,并在滤过手术后恢复良好。乔治·杜·莫里耶失去了一只眼睛,可能是视网膜脱离,后来另一只眼睛又出现了视网膜中央问题。结论:眼睛疾病可能通过改变艺术家对世界的感知而深刻地影响他们。具体效果可能会有所不同,这取决于疾病、严重程度和艺术家的心理。白内障通常会影响艺术家描绘色彩和细节的能力。青光眼的效果一般取决于中心视力是否保留。影响视网膜中心的疾病对艺术家描绘精细细节的能力有重大影响。与21世纪的标准相比,在考虑的艺术家的一生中,眼科护理是有限的。当药物或手术治疗无效时,医生能给这些艺术家提供的最重要的东西就是安慰他们,让他们远离焦虑和抑郁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The visual difficulties of selected artists and limitations of ophthalmological care during the 19th and early 20th centuries (an AOS thesis).

Purpose: To investigate the effects of eye diseases on several important artists who have been given little attention from a medical-historical viewpoint. The examples chosen demonstrate problems artists have had to face from different types of eye disease, including cataract, glaucoma, and retinal diseases. The ophthalmological care provided is described in terms of scientific knowledge at the time.

Methods: Investigation of primary and secondary source material. Discussion with art historians and ophthalmic historians. Examination of work by the artists.

Results: Artists can be markedly affected by ocular diseases that change their ability to see the world. The individuals described here worked during the 19th century and first half of the 20th century. Homer Martin suffered from cataracts, and his works reveal changes in details and color as he aged. Henri Harpignies, who had an extremely long career, undoubtedly had cataracts and may also have had macular degeneration. Angle-closure glaucoma blinded Jules Chéret. Auguste Ravier suffered from neovascular glaucoma in one eye and was able to work with his remaining eye, which developed a cataract. Louis Valtat suffered from what was in all likelihood open-angle glaucoma, but specific changes due to this disease are not apparent in his work. Roger Bissière developed glaucoma and did well following filtration surgery. George Du Maurier lost one eye from what was probably a retinal detachment and later suffered from a central retinal problem in the other eye.

Conclusions: Diseases of the eye may profoundly influence artists by altering their perception of the world. The specific effects may vary, depending on the disease, its severity, and the psychology of the artist. Cataracts typically affect an artist's ability to depict color and detail. The effect of glaucoma generally depends on whether central vision is preserved. Disease that affects the center of the retina has a substantial effect on an artist's ability to depict fine details. Ophthalmological care was limited during the lifetimes of the artists under consideration, by comparison to 21st century standards. When medical or surgical therapy was ineffective, the most important thing a physician could offer these artists was consolation against anxiety and depression.

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