Martha sells - fuchs的Paracelsus戏剧在Julius Streicher的德国公共卫生协会的环境下。

U Benzenhöfer
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摘要

1936年至1939年间,匈牙利-奥地利作家玛莎·希尔斯-富克斯(1896-?)写了三部戏剧,其中被称为帕拉塞尔苏斯的泰奥弗拉斯特·冯·霍恩海姆是主要人物。1935年,激进的德国纳粹领导人朱利叶斯·施特莱彻(Julius Streicher)创立了“德意志人民协会”(Verein Deutsche Volksheilkunde),为其意识形态目的而写的《巴拉塞尔苏斯》(Paracelsus)完全忽视了历史事实,被视为纳粹主义的先驱。通过详细的分析可以证明,玛莎·希尔斯-富克斯将巴拉塞尔苏斯描绘成一个种族主义者,一个反对犹太人的战士,一个神秘的“血与土”意识形态的追随者,一个非常尊重“自然母亲”的医生(正如纳粹声称的那样)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
[The Paracelsus dramas of Martha Sills-Fuchs in the circumstances of Julius Streicher's Society of German Public Health].

Between 1936 and 1939 the Hungaro-Austrian author Martha Sills-Fuchs (1896-?) wrote three plays, in which Theophrast von Hohenheim, called Paracelsus is the main figure. Written for the ideological purposes of the 'Verein Deutsche Volksheilkunde', founded in 1935 by the radical German Nazi-leader Julius Streicher, Paracelsus was--totally neglecting the historical facts--shown as a precursor of Nazism. It could be demonstrated by detailed analysis, that Martha Sills-Fuchs sketched Paracelsus as a racist, a fighter against the jews, a follower of a mystical 'blood and soil'-ideology and as a medical doctor, who had great respect of 'mother nature' (as the Nazis claimed they had).

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