从神经科学的角度分析包豪斯教学法在当代设计教育中的局限性

Ranran Wei, Yang You, Zhiqi Liang, Taigyoun Cho
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摘要

设计作为推动社会进步和文化发展的重要力量,现在正通过神经科学的进步重新审视,这为其认知基础提供了新的见解。包豪斯学派是现代设计教育的先驱,对当代教育学产生了深远的影响。然而,随着神经科学知识的不断发展,传统方法面临着挑战。首先,其以精神内省和知觉训练为中心的策略可以激发创造性思维,但缺乏对创造力背后的认知机制的系统理解,限制了认知策略和知识系统的内化。其次,以实践为导向的“边做边学”模式加强了程序性记忆和技能自动化,但可能抑制了高阶前额叶认知功能,从而限制了认知灵活性。第三,形式功能优先的原则相对忽视了情感和社会认知的培养,可能会削弱设计成果的人文关怀和情感共鸣。通过从神经科学的角度重新解读包豪斯教学法,本文旨在为当代设计教育的创新提供理论基础和实践见解,强调神经科学发现的整合可以帮助建立一个更系统和适应性更强的教育范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analysing the Limitations of Bauhausian Pedagogies in Contemporary Design Education From a Neuroscience Perspective
Design, as a vital force driving social progress and cultural development, is now being revisited through advances in neuroscience, which provide new insights into its cognitive foundations. The Bauhausian, a pioneer of modern design education, has had a lasting influence on contemporary pedagogy. However, traditional methods face challenges in light of evolving neuroscientific knowledge. First, its strategy centred on spiritual introspection and perceptual training can stimulate creative thinking, yet the lack of a systematic understanding of the cognitive mechanisms underlying creativity restricts the internalisation of cognitive strategies and knowledge systems. Second, the practice‐oriented model of ‘learning‐by‐doing’ reinforces procedural memory and skill automatisation but may inhibit higher‐order prefrontal cognitive functions, thereby constraining cognitive flexibility. Third, the principle of prioritising form and function relatively neglects the cultivation of emotion and social cognition, which may diminish the humanistic care and emotional resonance of design outcomes. By reinterpreting Bauhausian pedagogies through the lens of neuroscience, this paper seeks to provide both theoretical grounding and practical insights for innovation in contemporary design education, underscoring that the integration of neuroscientific findings can help build a more systematic and adaptive educational paradigm.
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