{"title":"对泰勒·斯威夫特不同职业生涯时期方言变化的声学分析)。","authors":"Miski Mohamed, Matthew B Winn","doi":"10.1121/10.0039052","DOIUrl":null,"url":null,"abstract":"<p><p>Across different stages of her career, Taylor Swift has moved in and out of communities that have distinct regional or socio-cultural dialects. Her extensive history of media interactions offers a rare opportunity to observe longitudinal dialect change. Here, we show that Swift's conversational speech exhibited notable signatures of Southern accent during her time in Nashville, including a shortened trajectory for /aɪ/ vowels (\"ride\" becomes similar to \"rod\") and exaggerated fronting of the /u/ vowel, even outside of coronal phonetic contexts. These features were lost after her return to Philadelphia, and hypercorrected upon her relocation to New York City, where she expanded the distinction between low-back vowels (in words like \"cot\" and \"caught\"). She also lowered her voice pitch (F0) during her time in New York City, coincident with her increased visibility speaking on issues of social change. These results, which would be virtually impossible to observe in a controlled laboratory study, have broad implications for our understanding of the combined influences of place, profession, and leadership goals on an individual's dialect adaptation later in life, suggesting that the ways people use language for conveying identity and community belonging are malleable within specific timeframes and goals.</p>","PeriodicalId":17168,"journal":{"name":"Journal of the Acoustical Society of America","volume":"158 3","pages":"2278-2289"},"PeriodicalIF":2.3000,"publicationDate":"2025-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acoustic analysis of Taylor Swift's dialect changes across different eras of her careera).\",\"authors\":\"Miski Mohamed, Matthew B Winn\",\"doi\":\"10.1121/10.0039052\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Across different stages of her career, Taylor Swift has moved in and out of communities that have distinct regional or socio-cultural dialects. Her extensive history of media interactions offers a rare opportunity to observe longitudinal dialect change. Here, we show that Swift's conversational speech exhibited notable signatures of Southern accent during her time in Nashville, including a shortened trajectory for /aɪ/ vowels (\\\"ride\\\" becomes similar to \\\"rod\\\") and exaggerated fronting of the /u/ vowel, even outside of coronal phonetic contexts. These features were lost after her return to Philadelphia, and hypercorrected upon her relocation to New York City, where she expanded the distinction between low-back vowels (in words like \\\"cot\\\" and \\\"caught\\\"). She also lowered her voice pitch (F0) during her time in New York City, coincident with her increased visibility speaking on issues of social change. These results, which would be virtually impossible to observe in a controlled laboratory study, have broad implications for our understanding of the combined influences of place, profession, and leadership goals on an individual's dialect adaptation later in life, suggesting that the ways people use language for conveying identity and community belonging are malleable within specific timeframes and goals.</p>\",\"PeriodicalId\":17168,\"journal\":{\"name\":\"Journal of the Acoustical Society of America\",\"volume\":\"158 3\",\"pages\":\"2278-2289\"},\"PeriodicalIF\":2.3000,\"publicationDate\":\"2025-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Acoustical Society of America\",\"FirstCategoryId\":\"101\",\"ListUrlMain\":\"https://doi.org/10.1121/10.0039052\",\"RegionNum\":2,\"RegionCategory\":\"物理与天体物理\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ACOUSTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Acoustical Society of America","FirstCategoryId":"101","ListUrlMain":"https://doi.org/10.1121/10.0039052","RegionNum":2,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ACOUSTICS","Score":null,"Total":0}
Acoustic analysis of Taylor Swift's dialect changes across different eras of her careera).
Across different stages of her career, Taylor Swift has moved in and out of communities that have distinct regional or socio-cultural dialects. Her extensive history of media interactions offers a rare opportunity to observe longitudinal dialect change. Here, we show that Swift's conversational speech exhibited notable signatures of Southern accent during her time in Nashville, including a shortened trajectory for /aɪ/ vowels ("ride" becomes similar to "rod") and exaggerated fronting of the /u/ vowel, even outside of coronal phonetic contexts. These features were lost after her return to Philadelphia, and hypercorrected upon her relocation to New York City, where she expanded the distinction between low-back vowels (in words like "cot" and "caught"). She also lowered her voice pitch (F0) during her time in New York City, coincident with her increased visibility speaking on issues of social change. These results, which would be virtually impossible to observe in a controlled laboratory study, have broad implications for our understanding of the combined influences of place, profession, and leadership goals on an individual's dialect adaptation later in life, suggesting that the ways people use language for conveying identity and community belonging are malleable within specific timeframes and goals.
期刊介绍:
Since 1929 The Journal of the Acoustical Society of America has been the leading source of theoretical and experimental research results in the broad interdisciplinary study of sound. Subject coverage includes: linear and nonlinear acoustics; aeroacoustics, underwater sound and acoustical oceanography; ultrasonics and quantum acoustics; architectural and structural acoustics and vibration; speech, music and noise; psychology and physiology of hearing; engineering acoustics, transduction; bioacoustics, animal bioacoustics.