对泰勒·斯威夫特不同职业生涯时期方言变化的声学分析)。

IF 2.3 2区 物理与天体物理 Q2 ACOUSTICS
Miski Mohamed, Matthew B Winn
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引用次数: 0

摘要

在她职业生涯的不同阶段,泰勒·斯威夫特(Taylor Swift)出入过有着独特地域或社会文化方言的社区。她对媒体互动的广泛研究为观察方言的纵向变化提供了难得的机会。在这里,我们展示了斯威夫特在纳什维尔期间的会话语言表现出明显的南方口音特征,包括/a / /元音的缩短轨迹(“ride”变得类似于“rod”)和夸张的/u/元音,甚至在冠状语音上下文之外。这些特征在她回到费城后就消失了,在她搬到纽约后又得到了过度纠正,在那里她扩大了对低背元音的区分(在像“cot”和“caught”这样的单词中)。在纽约期间,她也降低了自己的音调(F0),与此同时,她在社会变革问题上的发言越来越引人注目。这些结果几乎不可能在受控的实验室研究中观察到,但对我们理解地点、职业和领导目标对个人以后生活中方言适应的综合影响具有广泛的意义,这表明人们使用语言表达身份和社区归属感的方式在特定的时间框架和目标内是可塑的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Acoustic analysis of Taylor Swift's dialect changes across different eras of her careera).

Across different stages of her career, Taylor Swift has moved in and out of communities that have distinct regional or socio-cultural dialects. Her extensive history of media interactions offers a rare opportunity to observe longitudinal dialect change. Here, we show that Swift's conversational speech exhibited notable signatures of Southern accent during her time in Nashville, including a shortened trajectory for /aɪ/ vowels ("ride" becomes similar to "rod") and exaggerated fronting of the /u/ vowel, even outside of coronal phonetic contexts. These features were lost after her return to Philadelphia, and hypercorrected upon her relocation to New York City, where she expanded the distinction between low-back vowels (in words like "cot" and "caught"). She also lowered her voice pitch (F0) during her time in New York City, coincident with her increased visibility speaking on issues of social change. These results, which would be virtually impossible to observe in a controlled laboratory study, have broad implications for our understanding of the combined influences of place, profession, and leadership goals on an individual's dialect adaptation later in life, suggesting that the ways people use language for conveying identity and community belonging are malleable within specific timeframes and goals.

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来源期刊
CiteScore
4.60
自引率
16.70%
发文量
1433
审稿时长
4.7 months
期刊介绍: Since 1929 The Journal of the Acoustical Society of America has been the leading source of theoretical and experimental research results in the broad interdisciplinary study of sound. Subject coverage includes: linear and nonlinear acoustics; aeroacoustics, underwater sound and acoustical oceanography; ultrasonics and quantum acoustics; architectural and structural acoustics and vibration; speech, music and noise; psychology and physiology of hearing; engineering acoustics, transduction; bioacoustics, animal bioacoustics.
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