当代商业音乐歌手的声乐经济:对鼻音式声乐的初步研究。

IF 1.4 Q3 ACOUSTICS
Marcelo Saldías O'Hrens, Víctor M Espinoza, Valentina Cruz, Melanie Garay, Josefa Reyes, Camilo Quezada, Pedro Cortez, Christian Castro, Jesús Parra, Anne-Maria Laukkanen
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引用次数: 0

摘要

模型研究表明,喉上收缩产生鼻音样的声音增加了声音的经济性。这在当代商业音乐(CCM)歌手中还没有被研究过。本研究使用“准产出成本比”(QOCR)探讨了CCM歌手中鼻音嗓音的声乐经济。十位CCM歌手大声地唱出了音节[pa:],在高低音调上使用中性和鼻音般的声音。得到QOCR、声门电接触商、声压级、气压和反滤波措施。QOCR在不同语音类型间无显著差异。在类似鼻音的声音中,气压测量值明显更高,表明增加了空气动力学的努力来补偿咽上收缩。研究歌唱中声乐经济的新工具是必要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vocal economy in contemporary commercial music singers: A pilot study on twang-like voices.

Modelling studies suggest that twang-like voice production with supralaryngeal constriction increases vocal economy. This has not been studied in contemporary commercial music (CCM) singers. This study explores the vocal economy of twang-like voices in CCM singers using the "quasi-output-cost ratio" (QOCR). Ten CCM singers sang the syllable [pa:] loudly, using neutral and twang-like voices at low and high pitches. QOCR, electroglottografic contact quotient, sound pressure level, air pressure, and inverse filtering measures were obtained. QOCR showed no significant differences between the voice types. Air pressure measures were significantly higher in twang-like voices, suggesting increased aerodynamic effort to compensate for supralaryngeal constriction. New tools for studying vocal economy in singing are warranted.

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