作为方法和干预的转化：Jaad Kuujus （meghan O'Brien）的编织艺术品。

IF 0.9 3区社会学 Q3 ANTHROPOLOGY

Journal of Material Culture Pub Date : 2025-05-28 eCollection Date: 2025-09-01 DOI:10.1177/13591835251340919

Hannah Turner, Kate Hennessy

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引用次数: 0

摘要

这篇文章定位了爱尔兰和Kwakwaka'wakw艺术家Jaad Kuujus （meghan O' brien）在实体和虚拟空间中与土著策展实践的对话中对她的编织艺术品的转化。Transmediation是一种利用研究创造和协作媒体生产参与博物馆和档案馆非殖民化实践的方法，也是一种干预，以激发对博物馆实践中超越复制品的数字新可能性的考虑（见Hennessy等人，2024），作为一种生成力转移理论和实践。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

Transmediation as method and intervention: The woven artwork of Jaad Kuujus (Meghann O'Brien).

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Transmediation as method and intervention: The woven artwork of Jaad Kuujus (Meghann O'Brien).

This article positions Haida, Irish, and Kwakwaka'wakw artist Jaad Kuujus (Meghann O'Brien)'s transmediation of her woven artwork in conversation with Indigenous curatorial practices in physical and virtual spaces. Transmediation is presented as a method for engaging with decolonial practices in museums and archives using research-creation and collaborative media production, and an intervention to provoke consideration of new possibilities for the digital in museum practice that moves beyond the replica (see Hennessy et al., 2024) as a generative force shifting theory and practice.

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来源期刊

Journal of Material Culture Multiple-

CiteScore

1.80

自引率

0.00%

发文量

期刊介绍： The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.