访问艺术宣言:Hook&Loop艺术家团体

IF 0.6 3区 艺术学 0 THEATER
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It is incomplete, imperfect, and in process, just like us, and aims to present accessibility as art rather than as a legalistic task as it is often considered in art and cultural spaces. The Manifesto presents access as a generative, creative force and even its own artistic genre. We consider accessibility as art and access labor as work</em>.</p> <p><em>Hook&amp;Loop's digital archive project <u>UNDUE BURDEN</u> was in residence at <u>The Painted Bride</u> in Philadelphia from October 19 to November 23, 2024, with the installation of a \"living archive\" and five sensorial programs that invited the public to expand and engage with our living archive. The living archive installation was created by Maggie Mills with fabrication assistance from B. H. Mills. It consists of seven 6' x 12' fabric loops printed with hand-drawn motifs and archive photographs on unprimed parachute cloth suspended from wood and metal armatures. The archive installation fabric motifs are composed of hand-drawn images that are woven together to represent Hook&amp;Loop's vision for an accessible future. Three of the fabric loop motifs host images from the <u>UNDUE BURDEN</u> digital archive. Some of these images are accompanied by QR codes for audio descriptions and archive notes. The remaining four fabric loop motifs serve as frameworks for our living archive, which visitors were invited to contribute to during our residency workshops. Multiple other installations were set up across the space to invite in the fullness of Sick, Mad, and Disabled embodied experience, including a cozy library with handmade soft cushions, quilts, and rugs created by collective members, a low-stim lounge with sensory tools and low lighting, a space for naming and expressing disability rage, and an access altar to honor our disabled ancestors and reclaim spirituality. The events incorporated poetry, music, dance, a touch-based gallery, and an ILL-legal wedding party,<sup>3</sup> each encouraging immersion, artistic collaboration, interdisciplinarity, audience</em> <strong>[End Page E-17]</strong> <em>engagement, and the valuation of Sick, Mad, Neurodivergent, and Disabled artmaking beyond nondisabled aesthetic constraints. <u>Join our mailing list or find us on instagram at @hookandloopphl to learn more about upcoming events</u>. Our meetings are virtual and open to all who identify as Sick, Mad, Chronically Ill, Disabled, or Neurodivergent+! Email Hook&amp;Loop for more information at <u>hookandloopphl@gmail.com</u></em>.</p> <p>Manifesto compiled, collaged, edited, and beautified by the Hook&amp;Loop Access Artistry Team: Miranda Blas, Shannon Brooks, Rafi Ruffino Darrow, Aubrey Donisch, Julia Havard, CJ Jasen, Kai Kornegay, and Maggie Mills. Text, intention, and concept by Hook&amp;Loop collective members and program leads for residency: Ernest Bing, Miranda Blas, Shannon Brooks, Nat DiFrank, Phoebe Dilworth, Julia Havard, Cris Iacoponi, Aalaya Jones, And Keller, Vinetta Miller, Maggie Mills, Jenna Powers, Pam Price, Miriam Saperstein, George Shands, and many other collective members who shaped Hook&amp;Loop's approach to access, along with the creators of the book documenting <u>UNDUE BURDEN</u>'s residency by This Must Be The Place: Samantha Mitchell and Virginia Fleming. This Manifesto is meant to be used, circulated, improved upon, and implemented as a tool, a spell, an invitation, a demand to build radical access.</p> <p><strong>This is an Access Portal</strong>.</p> <p>We are access artists.</p> <p>Beyond legal mandates, compliance, afterthoughts,</p> <p><strong>Access is Art!</strong></p> <p>Access space.</p> <p>Many millions of people are newly disabled.</p> <p>We meet this emergency with emergence.</p> <p>We build ramps over stairs. We bust through doors of rooms that were not built for us (or crawl through back windows!).</p> <p>We make art from bed and make being in bed our art. We dissolve boundaries between the physical and the virtual.</p> <p>We shift tables, chairs, and paradigms to reclaim our space.</p> <p><strong>Allow your needs to expand and contract like bodies and...</strong></p> </p>","PeriodicalId":46247,"journal":{"name":"THEATRE JOURNAL","volume":"35 1","pages":"E-17-E-20"},"PeriodicalIF":0.6000,"publicationDate":"2025-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Access Artistry Manifesto: Hook&Loop Artist Collective\",\"authors\":\"\",\"doi\":\"10.1353/tj.2024.a950292\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> Access Artistry Manifesto<span>Hook&amp;Loop Artist Collective<sup>1</sup></span> <!-- /html_title --></li> </ul> <p><em>The Access Artistry Manifesto was created as a creative access statement for <u>UNDUE BURDEN</u>'s residency at <u>The Painted Bride</u> in Fall 2024. <u>UNDUE BURDEN</u> is an ongoing digital community archiving project led by members of Hook&amp;Loop and Disabled, Chronically Ill, Sick, Mad,<sup>2</sup> Neurodivergent+ people in Philadelphia. Hook&amp;Loop is an accessible artist collective and network that builds accessible creative practices and interdisciplinary events</em>.</p> <p><em>We wrote the Access Artistry Manifesto to name our intentions and grounding philosophy around accessibility. It is incomplete, imperfect, and in process, just like us, and aims to present accessibility as art rather than as a legalistic task as it is often considered in art and cultural spaces. The Manifesto presents access as a generative, creative force and even its own artistic genre. We consider accessibility as art and access labor as work</em>.</p> <p><em>Hook&amp;Loop's digital archive project <u>UNDUE BURDEN</u> was in residence at <u>The Painted Bride</u> in Philadelphia from October 19 to November 23, 2024, with the installation of a \\\"living archive\\\" and five sensorial programs that invited the public to expand and engage with our living archive. The living archive installation was created by Maggie Mills with fabrication assistance from B. H. Mills. It consists of seven 6' x 12' fabric loops printed with hand-drawn motifs and archive photographs on unprimed parachute cloth suspended from wood and metal armatures. The archive installation fabric motifs are composed of hand-drawn images that are woven together to represent Hook&amp;Loop's vision for an accessible future. Three of the fabric loop motifs host images from the <u>UNDUE BURDEN</u> digital archive. Some of these images are accompanied by QR codes for audio descriptions and archive notes. The remaining four fabric loop motifs serve as frameworks for our living archive, which visitors were invited to contribute to during our residency workshops. 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引用次数: 0

摘要

这里有一个简短的内容摘录:Access Artistry宣言hook&;Loop艺术家团体the Access Artistry宣言是作为2024年秋季underunderburden在the Painted Bride的驻地创作的一份创造性的访问声明。不当负担是一个正在进行的数字社区档案项目,由费城的Hook&;Loop和残疾人,慢性病患者,病态,疯狂,2神经分化+人的成员领导。Hook&;Loop是一个无障碍的艺术家团体和网络,建立无障碍的创意实践和跨学科活动。我们写了《无障碍艺术宣言》(Access艺术性宣言)来命名我们围绕无障碍的意图和基础哲学。它是不完整的,不完美的,在过程中,就像我们一样,旨在将可访问性作为艺术呈现,而不是像艺术和文化空间中经常被认为是一项法律任务。《宣言》将访问视为一种生成的、创造性的力量,甚至是它自己的艺术流派。我们把无障碍视为艺术,把无障碍劳动视为工作。Hook&;Loop的数字档案项目due BURDEN于2024年10月19日至11月23日在费城的The Painted Bride驻留,安装了一个“生活档案”和五个感官项目,邀请公众扩展和参与我们的生活档案。生活档案装置由Maggie Mills在b.h. Mills的制作协助下创建。它由七个6‘ x 12’的织物环组成,上面印有手绘图案和档案照片,这些图案和照片悬挂在木材和金属电枢上的未底漆的降落伞布上。档案装置织物图案由手绘图像组成,这些图像编织在一起,代表了Hook&;Loop对可访问的未来的愿景。其中三个织物环图案的图片来自于“过度负担”数字档案。其中一些图像附有音频描述和存档注释的QR码。其余四个织物环图案作为我们生活档案的框架,参观者被邀请在我们的驻留研讨会期间为其做出贡献。在整个空间中设置了多个其他装置,以充分体现生病,疯狂和残疾的具体体验,包括一个舒适的图书馆,由集体成员制作的手工软垫,被子和地毯,一个带有感官工具和低照明的低节奏休息室,一个命名和表达残疾愤怒的空间,以及一个纪念我们残疾祖先和恢复精神的通道祭坛。这些活动结合了诗歌、音乐、舞蹈、一个基于触摸的画廊和一个非法的婚礼派对,每个活动都鼓励沉浸、艺术合作、跨学科、观众参与,以及超越非残疾人审美约束的病态、疯狂、神经发散和残疾人艺术创作的价值。加入我们的邮件列表或在instagram上@hookandloopphl找到我们,了解更多关于即将举行的活动的信息。我们的会议是虚拟的,对所有认为自己有病、疯、慢性病、残疾或神经分化+的人开放!电邮Hook&;Loop至hookandloopphl@gmail.com获取更多信息。宣言由hook&loop Access艺术团队编译、拼合、编辑和美化:Miranda Blas、Shannon Brooks、Rafi Ruffino Darrow、Aubrey Donisch、Julia harvard、CJ Jasen、Kai Kornegay和Maggie Mills。Hook&;Loop集体成员和驻地项目负责人的文本、意图和概念:Ernest Bing、Miranda Blas、Shannon Brooks、Nat DiFrank、Phoebe Dilworth、Julia Havard、Cris Iacoponi、Aalaya Jones、and Keller、Vinetta Miller、Maggie Mills、Jenna Powers、Pam Price、Miriam Saperstein、George Shands和许多其他集体成员塑造了Hook&;Loop的访问方式,以及《This Must Be the Place》一书的作者记录了不应有的BURDEN的驻地:萨曼莎·米切尔和弗吉尼亚·弗莱明。这份宣言的目的是作为一种工具、一种咒语、一种邀请、一种要求来使用、传播、改进和实施,以建立激进的途径。这是一个访问门户。我们是接入艺术家。超越法律规定、遵从、事后考虑,Access就是艺术!访问空间。数百万人新近成为残疾人。我们采取紧急措施应对这一紧急情况。我们在楼梯上建坡道。我们冲进不是为我们建造的房间的门(或者从后窗爬进去!)我们在床上创作艺术,让躺在床上成为我们的艺术。我们消解了物理和虚拟之间的界限。我们改变桌子、椅子和范式来重新夺回我们的空间。允许你的需求像身体一样扩张和收缩……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Access Artistry Manifesto: Hook&Loop Artist Collective
In lieu of an abstract, here is a brief excerpt of the content:

  • Access Artistry ManifestoHook&Loop Artist Collective1

The Access Artistry Manifesto was created as a creative access statement for UNDUE BURDEN's residency at The Painted Bride in Fall 2024. UNDUE BURDEN is an ongoing digital community archiving project led by members of Hook&Loop and Disabled, Chronically Ill, Sick, Mad,2 Neurodivergent+ people in Philadelphia. Hook&Loop is an accessible artist collective and network that builds accessible creative practices and interdisciplinary events.

We wrote the Access Artistry Manifesto to name our intentions and grounding philosophy around accessibility. It is incomplete, imperfect, and in process, just like us, and aims to present accessibility as art rather than as a legalistic task as it is often considered in art and cultural spaces. The Manifesto presents access as a generative, creative force and even its own artistic genre. We consider accessibility as art and access labor as work.

Hook&Loop's digital archive project UNDUE BURDEN was in residence at The Painted Bride in Philadelphia from October 19 to November 23, 2024, with the installation of a "living archive" and five sensorial programs that invited the public to expand and engage with our living archive. The living archive installation was created by Maggie Mills with fabrication assistance from B. H. Mills. It consists of seven 6' x 12' fabric loops printed with hand-drawn motifs and archive photographs on unprimed parachute cloth suspended from wood and metal armatures. The archive installation fabric motifs are composed of hand-drawn images that are woven together to represent Hook&Loop's vision for an accessible future. Three of the fabric loop motifs host images from the UNDUE BURDEN digital archive. Some of these images are accompanied by QR codes for audio descriptions and archive notes. The remaining four fabric loop motifs serve as frameworks for our living archive, which visitors were invited to contribute to during our residency workshops. Multiple other installations were set up across the space to invite in the fullness of Sick, Mad, and Disabled embodied experience, including a cozy library with handmade soft cushions, quilts, and rugs created by collective members, a low-stim lounge with sensory tools and low lighting, a space for naming and expressing disability rage, and an access altar to honor our disabled ancestors and reclaim spirituality. The events incorporated poetry, music, dance, a touch-based gallery, and an ILL-legal wedding party,3 each encouraging immersion, artistic collaboration, interdisciplinarity, audience [End Page E-17] engagement, and the valuation of Sick, Mad, Neurodivergent, and Disabled artmaking beyond nondisabled aesthetic constraints. Join our mailing list or find us on instagram at @hookandloopphl to learn more about upcoming events. Our meetings are virtual and open to all who identify as Sick, Mad, Chronically Ill, Disabled, or Neurodivergent+! Email Hook&Loop for more information at hookandloopphl@gmail.com.

Manifesto compiled, collaged, edited, and beautified by the Hook&Loop Access Artistry Team: Miranda Blas, Shannon Brooks, Rafi Ruffino Darrow, Aubrey Donisch, Julia Havard, CJ Jasen, Kai Kornegay, and Maggie Mills. Text, intention, and concept by Hook&Loop collective members and program leads for residency: Ernest Bing, Miranda Blas, Shannon Brooks, Nat DiFrank, Phoebe Dilworth, Julia Havard, Cris Iacoponi, Aalaya Jones, And Keller, Vinetta Miller, Maggie Mills, Jenna Powers, Pam Price, Miriam Saperstein, George Shands, and many other collective members who shaped Hook&Loop's approach to access, along with the creators of the book documenting UNDUE BURDEN's residency by This Must Be The Place: Samantha Mitchell and Virginia Fleming. This Manifesto is meant to be used, circulated, improved upon, and implemented as a tool, a spell, an invitation, a demand to build radical access.

This is an Access Portal.

We are access artists.

Beyond legal mandates, compliance, afterthoughts,

Access is Art!

Access space.

Many millions of people are newly disabled.

We meet this emergency with emergence.

We build ramps over stairs. We bust through doors of rooms that were not built for us (or crawl through back windows!).

We make art from bed and make being in bed our art. We dissolve boundaries between the physical and the virtual.

We shift tables, chairs, and paradigms to reclaim our space.

Allow your needs to expand and contract like bodies and...

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来源期刊
THEATRE JOURNAL
THEATRE JOURNAL THEATER-
CiteScore
0.40
自引率
40.00%
发文量
87
期刊介绍: For over five decades, Theatre Journal"s broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production.
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