沃尔特·本雅明在澡堂:人工智能时代对机器人母亲、白日梦和艺术的思考

Q1 Arts and Humanities
Jennifer Lee O'Donnell
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引用次数: 0

摘要

本文探讨了人工智能(AI)对创造力和艺术的影响。通过融合自身民族志和对技术、伦理和创造力的批判观点,本文利用暗箱作为隐喻,探索数字时代如何改变艺术实践,艺术产品商品化,重塑人与创作之间的关系。Obscura 1考察了从传统艺术实践到注入人工智能的艺术实践的转变。暗箱2分析了数字时代艺术的商品化,考虑了艺术控制和观众消费的问题。最后,《暗箱3》反映了人工智能生成的艺术与人类创造力体验之间的联系,特别是艺术创作的心理影响及其在数字领域的潜在转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Walter Benjamin in the bathhouse: Meditations on robot mothers, daydreams, and art in the AI era

Walter Benjamin in the bathhouse: Meditations on robot mothers, daydreams, and art in the AI era

Walter Benjamin in the bathhouse: Meditations on robot mothers, daydreams, and art in the AI era

Walter Benjamin in the bathhouse: Meditations on robot mothers, daydreams, and art in the AI era

This essay explores the impact of artificial intelligence (AI) on creativity and art. Through a blend of autoethnography and critical perspectives on technology, ethics, and creativity, the essay utilizes the camera obscura as a metaphor to explore how the digital era transforms artistic practices, commodifies artistic products, and reshapes the relationship between human and creation. Obscura 1 examines the shift from traditional artistic practices to those infused with AI. Obscura 2 analyzes the commodification of art in the digital age, considering issues of artistic control and audience consumption. Finally, Obscura 3 reflects on the connection between AI-generated art and the human experience of creativity, particularly the psychological impact of artmaking and its potential transformation in the digital realm.

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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
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1.00
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43
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