困在卡尚的迷宫中:迷失的民族志

Q1 Arts and Humanities
Jasamin Kashanipour
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引用次数: 0

摘要

地点、广场、自然景观、城市空间在被制图所驯化后,就被视为熟悉。人类的心理对在未知中漂泊的前景感到厌恶,这促使了地图、指南针和GPS设备等导航设备的巧妙创造,这些设备都是在特定的历史背景下发展起来的,包括殖民主义和现代战争。在科技发达的今天,害怕迷路就等于浪费了宝贵的时间。然而,对于一个民族学家来说,在没有任何定位工具的情况下迷路会引发一些有趣的问题。流浪远不是一种危险的困境,它可以揭示深刻的见解和意想不到的遭遇。正是在这些迷失方向的时刻,自我暴露在周围环境的原始本质面前。迷路不再是一种需要避免的威胁,而是通往自我发现和与他人相遇的大门。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Caught in the labyrinth of Kashan: An ethnography of getting lost

Caught in the labyrinth of Kashan: An ethnography of getting lost

Caught in the labyrinth of Kashan: An ethnography of getting lost

Caught in the labyrinth of Kashan: An ethnography of getting lost

Caught in the labyrinth of Kashan: An ethnography of getting lost

Places, squares, natural landscapes, urban spaces are accepted as familiar when they are domesticated by cartography. The human psyche recoils at the prospect of being adrift in the unknown, prompting the ingenious creation of navigational aids such as maps, compasses, and GPS devices, which have been developed through specific historical contexts, including colonialism and modern warfare. In today's technologically advanced society, the fear of getting lost equates to the loss of valuable time. Yet, for an ethnographer, being lost without any orientation tools raises intriguing questions. Far from being a perilous predicament, wandering can unveil profound insights and unexpected encounters. It is in these moments of disorientation that the self is laid bare to the raw essence of the surroundings. Rather than a threat to be avoided, getting lost becomes a gateway to self-discovery and encounters with others.

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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
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0.00%
发文量
43
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