改写叙事:青年应对艾滋病毒的韧性

IF 4.6 1区 医学 Q2 IMMUNOLOGY
Fletcher Chiu, Kairon Liu, Ismail Senyonga
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Yet, amid adversity, youth-led organizations and young people persist in their fight—not only for survival, but also for dignity, health and a future free from stigma.</p><p>Recent policy shifts and funding cuts—especially to the U.S. PEPFAR programme—have severely disrupted youth-led organizations in low- and middle-income countries, jeopardizing critical HIV prevention, treatment, care and support services for young people. A survey conducted by Y+ Global and partners in early 2025 revealed that 60% of youth-led organizations had experienced interruptions in delivering core HIV services as a result of these cuts. Despite the setbacks, they have demonstrated remarkable resilience by uniting to urge stakeholders to take action to preserve youth-led HIV responses. 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The growing backlash against Diversity, Equity and Inclusion principles and programmes further exacerbates the potential for stigma and discrimination against HIV and key populations.</p><p>In this context, the dual meaning of “ART” as standing for both antiretroviral therapy and artistic creation takes on powerful significance. While ART sustains biological life and can help prevent HIV transmission, art fosters hope and social connection—elements equally essential for thriving with HIV. The HIV Science as Art programme, launched in 2023, has highlighted how art enriches the value of medical approaches by deepening society's understanding of HIV and supporting people living with HIV to tell the stories of their communities [<span>4, 5</span>]. The initiative, across two editions of the programme, included a total of 24 artists from diverse age groups and regions around the world. 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Scientific advancements can still be inaccessible because of personal and structural barriers, leaving a good quality of life out of reach for many. This remains undeniably evident even now, as numerous HIV treatment and prevention options exist, yet equitable access for those in need is still lacking.</p><p>“Alone and Frightened,” “Circle of Love,” and “Acceptance,” presented in 2024, are a series of paintings by Ismail Senyonga that emphasize the urgent need for better paediatric medicines and highlight the complex transition from childhood to adulthood. For young people living with HIV, especially those who acquired it perinatally, this period is often marked by fear, anxiety, depression, and even suicidal ideation. The downcast and exhausted body language and expressions of the figures in these paintings powerfully capture the candid, emotional realities faced by young people living with HIV as they navigate their personal challenges and overcome the anxieties of growing up in their societies.</p><p>These profoundly emotional pieces are not meant to portray young people living with HIV as merely vulnerable; rather, they strike at the heart of a deeper issue—the persistent inequalities that youth face within our society. Whether it is unequal access to healthcare resources or the lack of social acceptance and inclusivity, these works serve as a powerful call for urgent societal change. The driving force behind this call for transformation is none other than the hopeful and courageous generation of young people themselves.</p><p>On this International Youth Day, we encourage all stakeholders to recommit resources towards a youth-centred HIV response. 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The growing backlash against Diversity, Equity and Inclusion principles and programmes further exacerbates the potential for stigma and discrimination against HIV and key populations.</p><p>In this context, the dual meaning of “ART” as standing for both antiretroviral therapy and artistic creation takes on powerful significance. While ART sustains biological life and can help prevent HIV transmission, art fosters hope and social connection—elements equally essential for thriving with HIV. The HIV Science as Art programme, launched in 2023, has highlighted how art enriches the value of medical approaches by deepening society's understanding of HIV and supporting people living with HIV to tell the stories of their communities [<span>4, 5</span>]. The initiative, across two editions of the programme, included a total of 24 artists from diverse age groups and regions around the world. 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Scientific advancements can still be inaccessible because of personal and structural barriers, leaving a good quality of life out of reach for many. This remains undeniably evident even now, as numerous HIV treatment and prevention options exist, yet equitable access for those in need is still lacking.</p><p>“Alone and Frightened,” “Circle of Love,” and “Acceptance,” presented in 2024, are a series of paintings by Ismail Senyonga that emphasize the urgent need for better paediatric medicines and highlight the complex transition from childhood to adulthood. For young people living with HIV, especially those who acquired it perinatally, this period is often marked by fear, anxiety, depression, and even suicidal ideation. The downcast and exhausted body language and expressions of the figures in these paintings powerfully capture the candid, emotional realities faced by young people living with HIV as they navigate their personal challenges and overcome the anxieties of growing up in their societies.</p><p>These profoundly emotional pieces are not meant to portray young people living with HIV as merely vulnerable; rather, they strike at the heart of a deeper issue—the persistent inequalities that youth face within our society. Whether it is unequal access to healthcare resources or the lack of social acceptance and inclusivity, these works serve as a powerful call for urgent societal change. The driving force behind this call for transformation is none other than the hopeful and courageous generation of young people themselves.</p><p>On this International Youth Day, we encourage all stakeholders to recommit resources towards a youth-centred HIV response. 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引用次数: 0

摘要

联合国将“青年”定义为年龄在15-24岁之间的人,尽管有些国家将这一范围扩大到35岁。根据联合国艾滋病规划署2024年的流行病学估计,15-24岁的年轻人承担着不成比例的艾滋病毒新感染负担,尽管仅占所有艾滋病毒感染者的8%,但约占所有新感染人数的28%。在我们纪念2025年国际青年日之际,全球艾滋病毒应对正处于关键时刻。然而,在逆境中,青年领导的组织和年轻人坚持斗争,不仅是为了生存,也是为了尊严、健康和没有耻辱的未来。最近的政策转变和资金削减——尤其是对美国总统防治艾滋病紧急救援计划的削减——严重扰乱了中低收入国家由青年领导的组织,危及对年轻人至关重要的艾滋病毒预防、治疗、护理和支持服务。Y+ Global及其合作伙伴在2025年初进行的一项调查显示,由于这些削减,60%的青年领导的组织在提供核心艾滋病毒服务方面出现中断。尽管遭遇挫折,但他们团结一致,敦促利益攸关方采取行动,维护青年主导的艾滋病毒应对行动,表现出了非凡的韧性。他们还通过探索其他筹资机制(如众筹活动和与私营部门合作)迅速适应环境。除了在获得医疗保健和提高青年领导力方面面临的这些挑战外,艾滋病毒感染者继续面临普遍的耻辱,导致在工作场所、亲密关系、社区环境等方面存在障碍。《2023年艾滋病毒感染者耻辱感指数全球报告》发现,85%的艾滋病毒感染者有内在化的耻辱感,凸显了这一流行病的深刻心理影响。值得注意的是,这一比例在年轻人中甚至更高,88%的人表示内心有耻辱感。对多样性、公平和包容原则和规划的强烈反对进一步加剧了对艾滋病毒和关键人群的污名化和歧视。在这种背景下,“ART”作为抗逆转录病毒治疗和艺术创作的双重含义就具有了强大的意义。虽然抗逆转录病毒疗法维持生物生命并有助于预防艾滋病毒传播,但艺术促进了希望和社会联系,这些因素对艾滋病毒携带者的繁荣同样至关重要。2023年启动的艾滋病毒科学艺术项目强调了艺术如何通过加深社会对艾滋病毒的理解和支持艾滋病毒感染者讲述他们社区的故事来丰富医疗方法的价值[4,5]。该计划分为两期,共有24位来自世界各地不同年龄段和地区的艺术家参加。其中,来自亚太地区的刘凯龙(kairon Liu)和来自非洲地区的伊斯梅尔·森永加(Ismail Senyonga)这两位青年艺术家不仅用他们的艺术来提高公众意识,还展示了艺术表达如何成为一种自我反思的形式。通过他们的工作,他们记录了艾滋病毒感染者的生活道路,并将这些经历转化为自我照顾和复原力的有力叙述。在2023年的“不可传播”展览中,凯龙对台湾HIV社区捐赠的过期抗逆转录病毒药物进行了再利用,揭示了生物医学材料中蕴含的复杂社会意义,同时传达了最新的HIV知识。这张照片在视觉上参考了医学的进步,这些进步使艾滋病毒在持续的抗逆转录病毒治疗下无法传播。然而,它也悄悄地表明了一个令人不安的事实:尽管有抗逆转录病毒药物,但经济和心理负担继续沉重地压在人们身上。由于个人和结构障碍,科学进步仍然无法实现,使许多人无法获得高质量的生活。即使是现在,这一点仍然是不可否认的,因为存在许多艾滋病毒治疗和预防选择,但仍然缺乏对有需要的人的公平获取。2024年展出的《孤独与恐惧》、《爱的圆圈》和《接受》是Ismail Senyonga的系列画作,强调了对更好的儿科药物的迫切需求,并强调了从童年到成年的复杂过渡。对于感染艾滋病毒的年轻人,特别是那些围产期感染艾滋病毒的年轻人来说,这一时期的特点往往是恐惧、焦虑、抑郁,甚至有自杀念头。这些画作中人物的沮丧和疲惫的肢体语言和表情有力地捕捉到了感染艾滋病毒的年轻人在应对个人挑战和克服在社会中成长的焦虑时所面临的坦率和情感现实。 这些深刻的情感片段并不是要把感染艾滋病毒的年轻人描绘成仅仅是脆弱的;相反,它们触及了一个更深层次问题的核心——我们社会中年轻人长期面临的不平等。无论是获得医疗资源的不平等,还是缺乏社会接受和包容性,这些作品都是对紧急社会变革的有力呼吁。这一变革呼吁背后的推动力不是别人,正是充满希望和勇气的一代年轻人自己。值此国际青年日之际,我们鼓励所有利益攸关方重新为以青年为中心的艾滋病毒应对工作投入资源。这包括有意义地让年轻人参与与公平分配医疗资源、加强卫生保健系统、增强经济权能、精神卫生支持和重点人群除罪化有关的决策空间。年轻人对有效的服务提供模式、社区参与战略和减少耻辱的方法有独特的见解。他们的观点必须与地方、国家和国际各级的方案设计、资源分配和政策制定结合起来。应继续优先考虑青年在IAS青年中心和全球基金青年理事会等主要国际组织中的代表,以加强他们积极参与和领导这些空间的能力。我们今天特别介绍了两位青年艺术家,以提醒我们年轻人容易感染艾滋病毒,以及抗逆转录病毒治疗的卓越能力,提醒我们我们共同的价值观。我们将继续激发讨论和新思维,激励我们周围的人了解艾滋病毒并改变叙述-从风险到亲密,从病理到人性。通过采纳这些全面的战略,防治艾滋病毒运动可以取得持久的进展,使我们不仅能够实现联合国艾滋病规划署2030年目标,而且能够保持对远远超过这些里程碑的未来的希望和信心。作者声明没有利益冲突。FC, KL和IS对文章的撰写和审查做出了贡献。文章中引用的艺术品可通过以下链接访问。Untransmittable: www.kaironliu.com/untransmittable。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rewriting the narrative: resilience of youth in the HIV response

The United Nations defines “youth” as individuals aged 15–24 years, although some countries extend this range up to 35 years. According to 2024 UNAIDS epidemiologic estimates, young people aged 15–24 years bear a disproportionate burden of new HIV acquisitions, accounting for approximately 28% of all new acquisitions despite representing only 8% of all people living with HIV [1]. As we commemorate International Youth Day 2025, the global HIV response stands at a critical juncture. Yet, amid adversity, youth-led organizations and young people persist in their fight—not only for survival, but also for dignity, health and a future free from stigma.

Recent policy shifts and funding cuts—especially to the U.S. PEPFAR programme—have severely disrupted youth-led organizations in low- and middle-income countries, jeopardizing critical HIV prevention, treatment, care and support services for young people. A survey conducted by Y+ Global and partners in early 2025 revealed that 60% of youth-led organizations had experienced interruptions in delivering core HIV services as a result of these cuts. Despite the setbacks, they have demonstrated remarkable resilience by uniting to urge stakeholders to take action to preserve youth-led HIV responses. They have also swiftly adapted by exploring alternative funding mechanisms, such as crowdfunding campaigns and partnerships with the private sector [2].

In addition to these challenges to healthcare access and advancing youth leadership, people living with HIV continue to face pervasive stigma, resulting in barriers in the workplace, intimate relationships, community settings and beyond. The 2023 People Living with HIV Stigma Index Global Report found that 85% of individuals living with HIV experience internalized stigma, underscoring the profound psychological impact of the epidemic. Notably, this rate is even higher among young people, with 88% reporting internalized stigma [3]. The growing backlash against Diversity, Equity and Inclusion principles and programmes further exacerbates the potential for stigma and discrimination against HIV and key populations.

In this context, the dual meaning of “ART” as standing for both antiretroviral therapy and artistic creation takes on powerful significance. While ART sustains biological life and can help prevent HIV transmission, art fosters hope and social connection—elements equally essential for thriving with HIV. The HIV Science as Art programme, launched in 2023, has highlighted how art enriches the value of medical approaches by deepening society's understanding of HIV and supporting people living with HIV to tell the stories of their communities [4, 5]. The initiative, across two editions of the programme, included a total of 24 artists from diverse age groups and regions around the world. Among them, two youth artists—Kairon Liu from the Asia-Pacific region and Ismail Senyonga from the African region—not only use their art to raise public awareness, but also to demonstrate how artistic expression can serve as a form of self-reflection. Through their work, they document the path of living with HIV and translate these experiences into powerful narratives of self-care and resilience.

“Untransmittable,” exhibited in 2023, featured Kairon's repurposing of expired antiretroviral medications donated by the Taiwanese HIV community, revealing the complex social meanings embedded within biomedical materials while delivering updated HIV knowledge. The photograph visually references the medical advancements that have rendered HIV untransmittable when managed with consistent ART. However, it also quietly signals an uncomfortable truth: despite the availability of antiretroviral medicines, economic and psychological burdens continue to weigh heavily on people. Scientific advancements can still be inaccessible because of personal and structural barriers, leaving a good quality of life out of reach for many. This remains undeniably evident even now, as numerous HIV treatment and prevention options exist, yet equitable access for those in need is still lacking.

“Alone and Frightened,” “Circle of Love,” and “Acceptance,” presented in 2024, are a series of paintings by Ismail Senyonga that emphasize the urgent need for better paediatric medicines and highlight the complex transition from childhood to adulthood. For young people living with HIV, especially those who acquired it perinatally, this period is often marked by fear, anxiety, depression, and even suicidal ideation. The downcast and exhausted body language and expressions of the figures in these paintings powerfully capture the candid, emotional realities faced by young people living with HIV as they navigate their personal challenges and overcome the anxieties of growing up in their societies.

These profoundly emotional pieces are not meant to portray young people living with HIV as merely vulnerable; rather, they strike at the heart of a deeper issue—the persistent inequalities that youth face within our society. Whether it is unequal access to healthcare resources or the lack of social acceptance and inclusivity, these works serve as a powerful call for urgent societal change. The driving force behind this call for transformation is none other than the hopeful and courageous generation of young people themselves.

On this International Youth Day, we encourage all stakeholders to recommit resources towards a youth-centred HIV response. This includes meaningfully involving young people in decision-making spaces related to the equitable distribution of medical resources, healthcare system strengthening, economic empowerment, mental health support and the decriminalization of key populations. Young people bring unique insights into effective service delivery models, community engagement strategies and stigma reduction approaches. Their perspectives must be integral to programme design, resource allocation and policy development at local, national and international levels.

Youth representation within major international organizations—like IAS Youth Hub and Global Fund Youth Council—should continue to be prioritized to strengthen their capacity to actively engage and lead in these spaces. We highlighted two youth artists today to remind us of the vulnerability of young people to HIV and the transcendent ability of ART to remind us of our shared values. We will continue to stimulate discussion and new thinking that inspire those around us to learn about HIV and shift the narrative—from risk to intimacy, and from pathology to humanity. By embracing these comprehensive strategies, the HIV movement can achieve lasting progress—empowering us not only to meet the UNAIDS 2030 targets but also to sustain hope and confidence for a future well beyond those milestones.

The authors declare no competing interests.

FC, KL and IS contributed to the writing and review of the article.

The artworks referenced in the article are accessible via the following links. Untransmittable: www.kaironliu.com/untransmittable.

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来源期刊
Journal of the International AIDS Society
Journal of the International AIDS Society IMMUNOLOGY-INFECTIOUS DISEASES
CiteScore
8.60
自引率
10.00%
发文量
186
审稿时长
>12 weeks
期刊介绍: The Journal of the International AIDS Society (JIAS) is a peer-reviewed and Open Access journal for the generation and dissemination of evidence from a wide range of disciplines: basic and biomedical sciences; behavioural sciences; epidemiology; clinical sciences; health economics and health policy; operations research and implementation sciences; and social sciences and humanities. Submission of HIV research carried out in low- and middle-income countries is strongly encouraged.
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