YouTube上的乳腺癌视频日志:描述和内容分析。

IF 2.3 Q1 HEALTH CARE SCIENCES & SERVICES
JMIR infodemiology Pub Date : 2025-03-31 DOI:10.2196/66812
Nina Morena, Elly Dimya Htite, Yitzchok Ahisar, Victoria Hayman, Carrie A Rentschler, Ari N Meguerditchian
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引用次数: 0

摘要

背景:许多患有乳腺癌的女性将她们的经历记录在YouTube视频博客上,这可以作为点对点和社区支持。目的:本研究旨在确定(1)视频日志中倾向于讨论的乳腺癌内容形式,(2)女性选择视频记录乳腺癌经历的原因,以及(3)乳腺癌视频日志作为点对点支持的替代或补充以及整体数字社区站点的潜力。方法:在2023年11月以隐身模式搜索YouTube,搜索词为“乳腺癌视频日志”。根据收视率和创建日期,最多可包含10个视频/创建者。收集的视频特征包括标题;长度;观看、点赞、评论数;播放列表包含。评估录像是否值得赞助;对乳腺癌的解释和讨论;内容类型;和主题。创造者的特征包括年龄、地点和参与方式。进行了描述性和内容分析,以分析视频内容和可能提供点对点支持的潜在领域。结果:包括13个创作者的90个vlog,全部来自个人账户。平均(SD)视频长度、观看次数和评论次数分别为21.4(9.1)分钟、266780(534465)分钟和1485(3422)分钟。在90个视频中,有35个(39%)包含标签,11个(12%)包含付费赞助。最常见的拍摄地点是家里(87/90;97%),其次是医院(28/90;31%)和汽车(19/90;21%)。家庭视频通常设置在客厅(43/90;44%),卧室(32/90;33%),或厨房(20/90;21%)。60个视频中有34个(57%)包括治疗图像和物理结果。创作者在44/90的视频中提到了他们写视频的动机(49%);最常见的两个原因是想要建立一个社区和帮助他人。在42/90(47%)的视频中,创作者明确表达了情感。最常见的主题是治疗(77/90;86%)、心理健康(73/90;81%),不良反应(65/90;72%),外观(57/90;63%),以及家庭关系(33/90;37%)。在52/90的视频中(58%)提供了以患者为导向的建议,主要涉及与治疗相关的问题。在51/90(57%)的视频中,创作者提供了明确的治疗定义。63/90的视频(70%)讨论了化疗;手术52/90(58%),主要是乳房切除术;辐射:27/90 (30%);一般不良反应64/90(71%)。90个视频中有22个(24%)是关于新诊断的。当提到(40/90;44%),最常见的创作者地点是美国。当提到(27/90;30%),最常见的年龄为20-29岁。结论:视频日志创作者致力于建立社区支持,以及他们讲故事的个人性质,可能使视频日志成为点对点支持的潜在资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Breast Cancer Vlogs on YouTube: Descriptive and Content Analyses.

Background: Many women with breast cancer document their experiences in YouTube vlogs, which may serve as peer-to-peer and community support.

Objective: This study aimed to determine (1) the forms of content about breast cancer that tend to be discussed in vlogs, (2) the reasons why women choose to vlog their breast cancer experiences, and (3) the potential for breast cancer vlogs to serve as an alternative or complement to peer-to-peer support as well as a site of digital community overall.

Methods: YouTube was searched in incognito mode in November 2023 using the search terms "breast cancer vlog." A maximum of 10 videos/creator were included based on viewership and date created. Video characteristics collected included title; length; number of views, likes, comments; and playlist inclusion. Videos were assessed for sponsorship; presence of explanation and discussion on breast cancer; type of content; and themes. Creator characteristics included age, location, and engagement approaches. Descriptive and content analyses were performed to analyze video content and potential areas where peer-to-peer support may be provided.

Results: Ninety vlogs by 13 creators were included, all from personal accounts. The mean (SD) video length, number of views, and number of comments were 21.4 (9.1) minutes, 266,780 (534,465), and 1485 (3422), respectively. Of the 90 videos, 35 (39%) included hashtags, and 11 (12%) included paid sponsorships. The most common filming location was the home (87/90; 97%), followed by the hospital (28/90; 31%) and car (19/90; 21%). Home vlogs were most often set in the living room (43/90; 44%), bedroom (32/90; 33%), or kitchen (20/90; 21%). Thirty-four of 60 videos (57%) included treatment visuals and physical findings. Creators addressed motivation for vlogging in 44/90 videos (49%); the two most common reasons were wanting to build a community and helping others. In 42/90 videos (47%), creators explicitly expressed emotion. Most common themes were treatment (77/90; 86%), mental health (73/90; 81%), adverse effects (65/90; 72%), appearance (57/90; 63%), and family relationships (33/90; 37%). Patient-directed advice was offered in 52/90 videos (58%), mostly on treatment-related issues. In 51/90 videos (57%), creators provided explicit treatment definitions. Chemotherapy was discussed in 63/90 videos (70%); surgery in 52/90 (58%), primarily mastectomy; radiation in 27/90 (30%); and general adverse effects in 64/90 (71%). Twenty-two of 90 videos (24%) were about a new diagnosis. When mentioned (40/90; 44%), the most common creator location was the United States. When mentioned (27/90; 30%), the most common age was 20-29 years.

Conclusions: The dedication to building community support by vlog creators, and the personal nature of their storytelling, may make vlogs a potential resource for peer-to-peer support.

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