沉浸式情感氛围的叙述者:通过声音叙事分析海洋表征

IF 1.9 2区 社会学 Q2 GEOGRAPHY
Geraint Rhys Whittaker , Kimberley Peters , Ilse van Opzeeland
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引用次数: 0

摘要

以海洋研究为重点的艺术科学装置是各种公众在海洋物理边界之外体验海洋的一种重要方式。就像海洋主题电影、纪录片、音乐、图片展、水族馆、博物馆等一样,它们有助于人们在不被海水浸湿的情况下想象和体验海洋。虽然它们永远无法完全复制海洋,但它们提供了与海洋的另一种想象的具体接触的触点。镜子是一个声音装置,跟随小须鲸从南极洲到纳米比亚海岸的声音之旅,作为国际海洋生物多样性研讨会的一部分于2023年首次亮相。从《镜子》的发展和传播中,本文认为声音装置是观众了解海洋的一种方式,因为它们独特地捕捉了水下世界和人为对海洋生物的影响。本文认为,成功的关键在于能够通过本文首次引入的“浸入式情感氛围”创造出能够激发海洋想象力的叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrators of submersive affective atmospheres: Analysing oceanic representations through narratives of sound
Art-science installations with a focus on marine research are a critical way that the ocean is experienced by various publics beyond the physical boundaries of the sea. Like ocean themed cinema, documentaries, music, photo exhibitions, aquariums, museums and so on they contribute to how oceans are imagined and experienced without the need to get wet. Although they can never quite replicate the ocean, they offer touching points for embodied engagement with alternative imaginaries of the sea. Mirrors is a sound installation that follows the acoustic journey of the Minke Whale as it travels from Antarctica to the coast of Namibia, which debuted in 2023 as part of an international marine biodiversity symposium. Drawing from the development and delivery of Mirrors, this paper contends that sound installations are one way that audiences can know the ocean as they uniquely capture underwater worlds and anthropogenic impacts on marine life. This paper argues that key to the success of this is being able to create narratives that can inspire oceanic imaginations through what is introduced for the first time in this paper as ‘submersive affective atmospheres’.
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来源期刊
CiteScore
3.90
自引率
11.10%
发文量
45
审稿时长
45 days
期刊介绍: Emotion, Space and Society aims to provide a forum for interdisciplinary debate on theoretically informed research on the emotional intersections between people and places. These aims are broadly conceived to encourage investigations of feelings and affect in various spatial and social contexts, environments and landscapes. Questions of emotion are relevant to several different disciplines, and the editors welcome submissions from across the full spectrum of the humanities and social sciences. The journal editorial and presentational structure and style will demonstrate the richness generated by an interdisciplinary engagement with emotions and affects.
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