最近宝莱坞体育电影中对母性的后殖民女性主义表现

IF 1.5 3区 社会学 Q2 WOMENS STUDIES
Sushree Routray, Rashmi Gaur
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引用次数: 0

摘要

当代宝莱坞体育剧在母性的文化期望和女运动员的愿望之间挣扎着。这些故事挑战了生物决定论和定义“好”母亲的社会压力,因为她们努力塑造自己的个人身份。在新自由主义对密集母性和直升机式养育的期望中,这些运动员在试图复出时,往往背负着对孩子的焦虑,在母性内疚和矛盾心理中挣扎。受文化刻板印象、神话叙事和性别民族主义话语的影响,印度社会中的母亲形象往往被物化,在一个浸没于父权制的社会中,模糊了她们性别存在的复杂性。《玛丽·科姆》(2014年)、《Saand Ki Aankh》(2019年)和《Panga》(2020年)等体育电影的典范,代表了女运动员在婚姻和母性往往被视为女性最终生物学命运的矛盾环境中挣扎的生活经历。母亲和运动员角色之间的冲突以叙事张力的形式展开,传统的女性气质体现了被动和依赖,而体育运动则倡导自主和自信,这不可避免地导致了海伦·伦斯基所说的“角色冲突”。在无私与自私、焦虑与矛盾之间,这些女运动员拒绝顺从男性的眼光,拒绝男权对自我牺牲的母亲、孝顺的女儿和无条件支持妻子的期望。本文采用后殖民女性主义叙事来考察宝莱坞电影,揭示女运动员看似个人的选择是如何被置于更广泛的社会等级和权力结构之中的。通过考察家庭支持和婚姻关系对运动员主观体验的影响,本研究还对后殖民体育电影的性别叙事提出了质疑,揭示了它们超越印度对女性运动员的传统偏见的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A postcolonial feminist representation of motherhood in recent Bollywood sports movies
Contemporary Bollywood sports dramas grapple with the tension between cultural expectations of motherhood and the aspirations of women sportspersons. These narratives challenge biological determinism and societal pressures defining a ‘good’ mother as they strive to carve their individual identities. Amidst neoliberal expectations of intensive motherhood and helicopter parenting, these athletes navigate maternal guilt and ambivalence as they attempt comebacks, often burdened by anxieties about their children. Shaped by a confluence of cultural stereotypes, mythical narratives, and gendered nationalist discourses, maternal figures in Indian society are often reified, obscuring the complexities of their gendered being within a society steeped in patriarchy. Exemplary sports films such as Mary Kom (2014), Saand Ki Aankh (2019), and Panga (2020) represent the lived experiences of women athletes navigating a conflicting landscape where marriage and motherhood are often perceived as the ultimate biological destiny for women. The clash between the roles of mother and athlete unfolds as a narrative tension, where traditional femininity embodies passivity and dependence, while sport champions autonomy and assertiveness, inevitably leading to what Helen Lenskyj terms ‘role conflict’. Caught between selflessness and selfishness, anxiety and ambivalence, these women athletes refuse to conform to the male gaze, rejecting patriarchal expectations of self-sacrificing mothers, dutiful daughters, and unconditionally supportive wives. This paper employs a postcolonial feminist narrative to examine Bollywood films, revealing how seemingly individual choices by sportswomen are situated within broader social hierarchies and power structures. By examining the impact of family support and marital connections on athletes' subjective experiences, this study also questions the gendered narratives of postcolonial sports movies, unravelling their capacity to surpass conventional prejudices against women sportspersons in India.
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来源期刊
CiteScore
2.50
自引率
7.10%
发文量
63
审稿时长
79 days
期刊介绍: Women"s Studies International Forum (formerly Women"s Studies International Quarterly, established in 1978) is a bimonthly journal to aid the distribution and exchange of feminist research in the multidisciplinary, international area of women"s studies and in feminist research in other disciplines. The policy of the journal is to establish a feminist forum for discussion and debate. The journal seeks to critique and reconceptualize existing knowledge, to examine and re-evaluate the manner in which knowledge is produced and distributed, and to assess the implications this has for women"s lives.
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