与死者亲密的祈祷

Q1 Arts and Humanities
Farzad Amoozegar
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引用次数: 0

摘要

这篇文章探讨了聆听monājāt(伊斯兰歌唱祈祷)是如何为阿米尔创造动态的、令人不安的想象空间的。阿米尔是一位在1980-1988年两伊战争中截瘫的老兵,他和在战斗中牺牲的战友索拉博在一起。阿米尔目睹了索拉博悲惨的死亡,自己也承受了严重的身体创伤,他通过聆听祈祷的行为与索拉博建立了一种深刻的、非互惠的关系。Monājāt是一种集体体验,它的力量来自阿米尔想象的世界,他发现自己在索拉博身边低声祈祷。这种倾听的参与式模式允许生者主持和欢迎死者。Monājāt与死者建立了一种非互惠的关系,在这个地方阿米尔听到了原本听不见的东西。在这个虚构的世界里,阿米尔找到了与他死去的朋友的亲近。倾听是一种存在于世界的模式,它挑战一个人不要忽视另一个人的需求。对阿米尔来说,monājāt既提供了索拉博在天堂的形象(与天使在一起的容光焕发的脸),也提供了一种干扰,提醒他回忆起索拉博的痛苦和受伤的脸。这样,倾听就变成了一种照顾死者的回应和义务;一种照顾并对索拉博负责的方式,这对阿米尔来说既治愈又困扰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An intimate prayer with the dead

This article explores how listening to monājāt (Islamic sung prayer) creates dynamic and unsettling imaginative spaces for Amir—a paraplegic veteran of the 1980–1988 Iran–Iraq War—to be-with Sohrab, his comrade killed in combat. Amir, who both witnessed Sohrab's tragic death and endured severe physical trauma himself, engages in a profound, nonreciprocal relationship with Sohrab through the act of listening to the sung prayer. Monājāt is a collective experience that derives its power from Amir's imagined world where he finds himself whispering the prayers alongside Sohrab. This participatory mode of listening allows the living to host and welcome the dead. Monājāt creates a nonreciprocal relationship with the dead, a place where Amir hears what is otherwise inaudible. In this imaginary world, Amir finds proximity to be-with his dead friend. Listening is a mode of being-in-the-world that challenges one to not neglect the other's needs. For Amir, monājāt provides both images of Sohrab in heaven (the radiant face with the angels) and a disturbance by alerting him to recall Sohrab's suffering and the injured face. Listening, then, becomes a response and obligation to care for the dead; a way to attend to and be responsible for Sohrab which for Amir is both healing and haunting.

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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
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发文量
43
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