舞台上的怪物:在Teatro de Ciertos Habitantes的El Gallo中将生命转化为奇观

IF 0.3 4区 艺术学 0 THEATER
ANALOLA SANTANA
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引用次数: 0

摘要

墨西哥戏剧公司Teatro de Ciertos Habitantes因其严格的实验室流程而闻名于世,这些流程导致了独特的跨学科表演,这些表演违背了预期的戏剧惯例。他们的作品《El Gallo》(2009)是该公司创新和社会行动能力的一个尖锐例子。在这里,演员们在用一种完全发明的语言演唱的作品中变成了歌剧演唱者,同时煽动观众去思考焦虑,这种焦虑助长了在舞台上暴露自己身体的行为,因为我们对自己感知到的差异的恐惧阻止了我们在一个不断评判我们的社会中感到“正常”,因为我们认识到社会规范的歧视性力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Freak Onstage: Transformation of Life into Spectacle in Teatro de Ciertos Habitantes's El Gallo

Mexican theatre company Teatro de Ciertos Habitantes are world-renowned for their intensive laboratory processes leading up to unique, interdisciplinary performances that defy expected theatrical conventions. Their piece El Gallo (2009) is a poignant example of this company's capacity for innovation and social action. Here, actors are transformed into opera singers in a piece that is sung – in an entirely invented language – while inciting audiences to consider the anxieties that fuel the act of exposing one's body onstage, as fears over our own perceived differences prevent us from feeling ‘normal’ in a society that constantly judges us as we recognize the discriminatory power of social normativity.

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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
44
期刊介绍: Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Published for the International Federation for Theatre Research
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