老年人获得艺术机会:制作创造性的在线节目,以促进老年人在大流行期间和之后的艺术参与。

IF 2 Q2 SOCIOLOGY
Frontiers in Sociology Pub Date : 2024-12-04 eCollection Date: 2024-01-01 DOI:10.3389/fsoc.2024.1454143
Jami McFarland, Carla Rice, Nadine Changfoot, Tara La Rose, Carmela Alfaro-Laganse, Suad Badri, Kathy Smith, Becky Katz
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引用次数: 0

摘要

导语:2020年3月,世界卫生组织(世卫组织)宣布COVID-19病毒为全球大流行,随后由地方、区域和国家政府发起的公共卫生应对措施出人意料地为残疾人和慢性病患者提供了更多接触文化的可能性,这在大流行前是无法想象的。在大流行的“紧急”时期,关键的残疾研究和老龄化研究领域分别证明了转向数字技术对残疾人和老年人的重要性和价值;然而,迄今为止,很少有学术研究考虑到数字技术在大流行时期之后对残疾老年人的价值。方法:基于研究关键访问和老龄化与残疾关系的学者的理论见解,本文借鉴了“直接[消息]:艺术参与的数字访问”第二阶段收集的实证数据,这是一个基于加拿大安大略省西南部的基于社区的协作性艺术信息研究项目。通过对来自非/代表性不足/代表性不足社区的老年人进行50次定性访谈,研究结果探讨了老年和残疾的交叉点,包括与性别、性行为、移民、规模、种族/民族和其他差异相关的动态,因为这些差异与COVID-19大流行之前、期间和“之后”获得和享受创意空间有关。结果:结果显示,安大略省西南部的老年残疾人表达了强烈的愿望,甚至迫切需要在流行病期间和以外的家中相对安全的空间访问互动艺术节目。讨论:随着规范世界推动在2022年回归健康主义规范生活,这一年的特点是高度传染性的欧米克隆变异的“严重”发生率,以及有效的公共措施(如社区口罩和广泛可用的检测)的丧失,与会者描述了通过远程选择继续获得创造性和社会参与的必要性,这些选择避开了社会排他性和物理上难以接近的空间。研究结果表明,需要增加对残疾老年人数字艺术节目的投资。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Graying arts access: crafting creative online programming to promote older adults' artistic engagement in and beyond pandemic time.

Introduction: Declared a global pandemic by the World Health Organization (WHO) in March 2020, the COVID-19 virus and attendant patchwork of local, regional, and national government-initiated public health responses to it unexpectedly opened possibilities for greater access to culture for disabled and chronically ill people in ways that were unimagined in pre-pandemic times. During the "emergency" period of the pandemic, the fields of critical disability studies and aging studies independently demonstrated the importance and value of shifting to digital technologies for disabled people and older adults respectively; however, to date, little scholarship has considered the value of digital technologies for older adults aging with and into disabilities beyond pandemic time.

Methods: Informed by the theoretical insights of scholarship exploring critical access and the aging-disability nexus, this paper draws from empirical data collected during Phase 2 of Direct[Message]: Digital Access to Artistic Engagement, a collaborative, community-based, arts-informed research project based in Southwestern Ontario (Canada). Drawing from 50 qualitative interviews with aging adults from un/under/represented communities, findings explore the intersections of older age and disability, including dynamics related to gender, sexuality, migration, size, race/ethnicity, and other differences, as these relate to access to and enjoyment of creative spaces before, during, and "after" the COVID-19 pandemic.

Results: Results show that older adults aging with/into disabilities in Southwestern Ontario express an overwhelming desire and even urgent need to access interactive arts programming from the relatively safe spaces of their homes both within and outside pandemic time.

Discussion: As the normative world pushed for a return to ableist normative life in 2022, a year marked by "severe" rates of the highly infectious Omicron variant and the loss of effective public measures, such as community masking and widely available testing, participants described the need for continued access to creative and social participation via remote options that sidestepped socially exclusive and physically inaccessible spaces. Findings indicate a need for increased investment in digital arts programming for older adults aging with/into disabilities.

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来源期刊
Frontiers in Sociology
Frontiers in Sociology Social Sciences-Social Sciences (all)
CiteScore
3.40
自引率
4.00%
发文量
198
审稿时长
14 weeks
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